History
Wells had considered the notion of time travel before, in an earlier work titled The Chronic Argonauts. This short story was published in his college's newspaper and was the foundation for "The Time Machine." Wells frequently stated that "The Chronic Argonauts" highly reflects what was written in "The Time Machine." He had thought of using some of this material in a series of articles in the Pall Mall Gazette, until the publisher asked him if he could instead write a serial novel on the same theme; Wells readily agreed, and was paid £100 (equal to about £9,000 today) on its publication by Heinemann in 1895. The story was first published in serial form in the January to May numbers of William Ernest Henley's new venture New Review. The first book edition (possibly prepared from a different manuscript) was published in New York by Henry Holt and Company on 7 May 1895; an English edition was published by Heinemann on 29 May. These two editions are different textually, and are commonly referred to as the "Holt text" and "Heinemann text" respectively. Nearly all modern reprints reproduce the Heinemann text.
The story reflects Wells's own socialist political views, his view on life and abundance, and the contemporary angst about industrial relations. It is also influenced by Ray Lankester's theories about social degeneration. Other science fiction works of the period, including Edward Bellamy's Looking Backward and the later Metropolis, dealt with similar themes.
Read more about this topic: The Time Machine
Famous quotes containing the word history:
“Books of natural history aim commonly to be hasty schedules, or inventories of God’s property, by some clerk. They do not in the least teach the divine view of nature, but the popular view, or rather the popular method of studying nature, and make haste to conduct the persevering pupil only into that dilemma where the professors always dwell.”
—Henry David Thoreau (1817–1862)
“In the history of the United States, there is no continuity at all. You can cut through it anywhere and nothing on this side of the cut has anything to do with anything on the other side.”
—Henry Brooks Adams (1838–1918)
“One classic American landscape haunts all of American literature. It is a picture of Eden, perceived at the instant of history when corruption has just begun to set in. The serpent has shown his scaly head in the undergrowth. The apple gleams on the tree. The old drama of the Fall is ready to start all over again.”
—Jonathan Raban (b. 1942)