Roles
Role | Voice type | Premiere cast, August 31, 1928 (Conductor: Theo Mackeben) |
---|---|---|
Macheath ("Mackie Messer"/"Mack the Knife"), London's greatest and most notorious criminal | tenor/baritone | Harald Paulsen |
Jonathan Jeremiah Peachum, The "Beggar's Friend". Controller of all the beggars in London, he conspires to have Mack hanged | baritone | Erich Ponto |
Celia Peachum – Peachum's wife, who helps him run the business | mezzo-soprano | Rosa Valetti |
Polly Peachum – The Peachums' daughter. After knowing Mack for only five days, she agrees to marry him | soprano | Roma Bahn |
Jackie "Tiger" Brown – Police Chief of London and Mack's best friend from their army days | baritone | Kurt Gerron |
Lucy Brown – Tiger Brown's daughter. Also claims to be married to Mack | soprano | Kate Kühl |
Jenny ("Ginny Jenny" or "Low-Dive Jenny"), A prostitute who was romantically involved with Macheath in the past. She is bribed to turn Mack in to the police. | mezzo-soprano | Lotte Lenya |
Filch – The misfit young man who approaches the Peachums in hopes of beggar-training. | tenor | Naphtali Lehrmann |
The Street Singer – sings 'The Ballad of Mack the Knife' in the opening scene. | baritone | Kurt Gerron |
Smith – a constable | baritone | Ernst Busch |
Walter | tenor | Ernst Rotmund |
Matthias | tenor | Karl Hannemann |
Jakob | tenor | Manfred Fürst |
Jimmie | tenor | Werner Maschmeyer |
Ede | tenor | Albert Venohr |
Beggars, gangsters, whores, constables |
Read more about this topic: The Threepenny Opera
Famous quotes containing the word roles:
“Modern women are squeezed between the devil and the deep blue sea, and there are no lifeboats out there in the form of public policies designed to help these women combine their roles as mothers and as workers.”
—Sylvia Ann Hewitt (20th century)
“There is a striking dichotomy between the behavior of many women in their lives at work and in their lives as mothers. Many of the same women who are battling stereotypes on the job, who are up against unspoken assumptions about the roles of men and women, seem to acceptand in their acceptance seem to reinforcethese roles at home with both their sons and their daughters.”
—Ellen Lewis (20th century)
“It was always the work that was the gyroscope in my life. I dont know who could have lived with me. As an architect youre absolutely devoured. A womans cast in a lot of roles and a man isnt. I couldnt be an architect and be a wife and mother.”
—Eleanore Kendall Pettersen (b. 1916)