Reception
In the United Kingdom it was the most popular movie at the British box office for 1949. In Austria, "local critics were underwhelmed" and the film ran for only a few weeks. Still, the Viennese Arbeiter-Zeitung, although critical of a "not-too-logical plot", praised the film's "masterful" depiction of a "time out of joint" and the city's atmosphere of "insecurity, poverty and post-war immorality". William Cook, after his 2006 visit to an eight-room museum in Vienna dedicated to the film, wrote "In Britain it's a thriller about friendship and betrayal. In Vienna it's a tragedy about Austria's troubled relationship with its past."
Upon its release in Britain and America, the film received overwhelmingly positive reviews. Time magazine called the film "crammed with cinematic plums that would do the early Hitchcock proud—ingenious twists and turns of plot, subtle detail, full-bodied bit characters, atmospheric backgrounds that become an intrinsic part of the story, a deft commingling of the sinister with the ludicrous, the casual with the bizarre." Bosley Crowther, after a prefatory qualification that the film was "designed to excite and entertain", wrote that Reed "brilliantly packaged the whole bag of his cinematic tricks, his whole range of inventive genius for making the camera expound. His eminent gifts for compressing a wealth of suggestion in single shots, for building up agonized tension and popping surprises are fully exercised. His devilishly mischievous humor (sic) also runs lightly through the film, touching the darker depressions with little glints of the gay or macabre." One of the very rare exceptions was the British communist paper The Daily Worker of 3 September 1949 which complained that "no effort is spared to make the Soviet authorities as sinister and unsympathetic as possible."
Critics today have hailed the film as a masterpiece. Roger Ebert added the film to his "Great Movies" list and wrote, "Of all the movies that I have seen, this one most completely embodies the romance of going to the movies." Gene Siskel remarked it was an "exemplary piece of moviemaking, highlighting the ruins of WWII and juxtaposing it with the characters' own damaged histories". James Berardinelli has also praised the film, calling the film a "must-see" for lovers of film noir.
Read more about this topic: The Third Man
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