Production
Fairbanks sought to make an epic. Lavishly staged on a Hollywood studio set, at a reputed cost of two million dollars, The Thief of Bagdad was one of the most expensive films of the 1920s. Art director William Cameron Menzies was largely responsible for the production design, closely following the requirements laid down by Fairbanks, who acted as writer, producer and star. Fairbanks' meticulous attention to detail, as well as a complex visual imagery, required the use of state-of-the-art special effects, featuring a magic rope, a flying horse, a flying carpet and full-scale palace sets.
Read more about this topic: The Thief Of Bagdad (1924 film)
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“The repossession by women of our bodies will bring far more essential change to human society than the seizing of the means of production by workers.”
—Adrienne Rich (b. 1929)
“... if the production of any commodity necessitates the sacrifice of human life, society should do without that commodity, but it can not do without that life.”
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“The problem of culture is seldom grasped correctly. The goal of a culture is not the greatest possible happiness of a people, nor is it the unhindered development of all their talents; instead, culture shows itself in the correct proportion of these developments. Its aim points beyond earthly happiness: the production of great works is the aim of culture.”
—Friedrich Nietzsche (1844–1900)