Critical Reception
New York Times film critic, Janet Maslin, thought the film was rather simple, and wrote, "Stiffly playing a filmmaker with a growing passion for the tango, makes this a handsome, dryly meticulous film with no real fire anywhere beyond its supple dance scenes. The lessons are numbered and cataloged with an obsessive care like that of Peter Greenaway, but this material has little of his corresponding complexity."
Chicago Sun-Times film critic Roger Ebert discussed in his review the film's major goal, writing, "Most dances are for people who are falling in love. The tango is a dance for those who have survived it, and are still a little angry about having their hearts so mishandled. The Tango Lesson is a movie for people who understand that difference."
Edward Guthmann, San Francisco Chronicle staff critic, lauded the film and the courage of director Potter, and wrote, "British director Sally Potter stuck her neck out when she made The Tango Lesson, a fictionalized account of her relationship with Argentine tango master Pablo Veron...Potter takes what seemed like a recipe for embarrassment and excess and delivers a film that's sweet and understated and devoid of diva posturing... smoothly directed, nicely written and falters only in the performance that Potter was able to squeeze out of herself while performing her multiple tasks." Yet, Guthmann believes Potter should have cast another actor in her role. He adds, "It's too bad, then, that Potter couldn't have figured out a way to use another actress to play herself. She often looks worn out, which makes sense given her offscreen responsibilities but works against her tale of courtship, infatuation and the emotional sparks that fly between two gifted, bullheaded artists."
Read more about this topic: The Tango Lesson
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