Production
- In 1974 The Big Con author David Maurer filed a ten million dollar lawsuit claiming at least part of the film's story had been taken from his book. The matter was resolved out of court in 1976.
- The movie was filmed on the backlot of Universal Studios, with scenes also shot at the Santa Monica Pier and in Pasadena.
- Doyle Lonnegan's limp in the film, used to great effect by actor Robert Shaw, was in fact completely authentic as Shaw had slipped on a wet handball court at the Beverly Hills Hotel just a week before filming began and had split all the ligaments in his knee. He had to wear a leg brace during production which was kept hidden under the wide 1930s style trousers he wore. This incident was revealed by Julia Philips in her 1991 autobiography You'll Never Eat Lunch in This Town Again. She said that Shaw saved The Sting since no other actor would accept the part, that Paul Newman hand delivered the script to Shaw in London in order to ensure his participation, and that he had to be paid an extremely high salary. Philips' book also asserts that Shaw was not nominated for a Best Supporting Actor Academy Award because he demanded that his name follow those of Newman and Redford before the film's opening title.
- Rob Cohen, later a director, starting in the 1990s, of action films such as The Fast and the Furious, years later told of how he found the script in the slush pile when he was working as a reader for Mike Medavoy, a future studio head then an agent. He wrote in his coverage that it was "the great American screenplay and ... will make an award-winning, major-cast, major-director film." Medavoy said that he would try to sell it on that recommendation and promised to fire Cohen if he couldn't. Universal bought it that afternoon, and Cohen still has the coverage framed on the wall of his office.
Read more about this topic: The Sting
Famous quotes containing the word production:
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—Albert Camus (19131960)
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—Karl Marx (18181883)
“Constant revolutionizing of production ... distinguish the bourgeois epoch from all earlier ones. All fixed, fast-frozen relations, with their train of ancient and venerable prejudices are swept away, all new-formed ones become antiquated before they can ossify. All that is solid melts into air, all that is holy is profaned, and man is at last compelled to face with sober senses, his real conditions of life, and his relations with his kind.”
—Karl Marx (18181883)