History
The Southern Review was co-founded in 1935 by three-time Pulitzer Prize-winning writer Robert Penn Warren who served as U.S. Poet Laureate and wrote the classic novel All the King's Men, and renowned literary critic of the New Criticism school, Cleanth Brooks. In 1942, after 28 issues, the journal stopped publishing and started again in 1965. After a long series of highly regarded editors and coeditors, including Charles W. Pimpkin, Cleanth Brooks, Robert Penn Warren, Albert R. Erskine Jr., Lewis P. Simpson, Donald E. Stanford, James Olney, Fred Hobson, Dave Smith, and Bret Lott. Jeanne Leiby served as editor from 2008 until her death in 2011.
The Southern Review authors include 3 Nobel prize winners, 29 Pulitzer prize winners, 17 National Book Award winners, and 14 National Book Critics Circle Award winners. Work originally appearing in The Southern Review pages is regularly anthologized in the Best American series, the Pushcart Prize series, and the O. Henry Prize series. In 2006, The Southern Review was awarded first place for Best Journal Design in the CELJ International Awards Competition.
Notable authors who have been published in The Southern Review include Steve Almond, W. H. Auden, Julianna Baggott, James Baldwin, Amiri Baraka, Rick Bass, John Berryman, Elizabeth Bishop, Harold Bloom, James Dickey, Stephen Dobyns, Rita Dove, Mona Van Duyn, Claudia Emerson, Ford Madox Ford, Nadine Gordimer, Thom Gunn, Bob Hicok, Tony Hoagland, T.R. Hummer, Erica Jong, David Kirby, Philip Levine, W. S. Merwin, Joyce Carol Oates, Mary Oliver, Walker Percy, Robert Pinsky, Stanley Plumly, Katherine Anne Porter, Francine Prose, Ron Rash, Fatima Rashid, Theodore Roethke, Muriel Rukeyser, Philip Schultz, Ron Silliman, George Singleton, Dave Smith, William Stafford, Wallace Stegner, Wallace Stevens, Mark Strand, Allen Tate, Helen Vendler, Robert Penn Warren, Eudora Welty, Dara Wier, Miller Williams, Charles Wright, Jake Adam York, Robert Clark Young.
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Famous quotes containing the word history:
“When the coherence of the parts of a stone, or even that composition of parts which renders it extended; when these familiar objects, I say, are so inexplicable, and contain circumstances so repugnant and contradictory; with what assurance can we decide concerning the origin of worlds, or trace their history from eternity to eternity?”
—David Hume (1711–1776)
“Postmodernism is, almost by definition, a transitional cusp of social, cultural, economic and ideological history when modernism’s high-minded principles and preoccupations have ceased to function, but before they have been replaced with a totally new system of values. It represents a moment of suspension before the batteries are recharged for the new millennium, an acknowledgment that preceding the future is a strange and hybrid interregnum that might be called the last gasp of the past.”
—Gilbert Adair, British author, critic. Sunday Times: Books (London, April 21, 1991)
“If usually the “present age” is no very long time, still, at our pleasure, or in the service of some such unity of meaning as the history of civilization, or the study of geology, may suggest, we may conceive the present as extending over many centuries, or over a hundred thousand years.”
—Josiah Royce (1855–1916)