The Song Remains The Same (film) - Subsequent Filming and Release

Subsequent Filming and Release

Unhappy with the progress of the film, Grant had Massot removed from the project and Australian director Peter Clifton was hired in his place in early 1974. Massot was offered a few thousand pounds in compensation. Peter Grant later sent someone to Massot's house to collect the film. However, Massot had hidden the film elsewhere and so instead an expensive editing machine owned by Massot was taken as collateral. Massot served a writ, leading to a period of stalemate which was finally broken when Grant and Led Zeppelin's lawyer Steve Weiss agreed to pay Massot the money he was owed, after which he delivered the film to the band. Massot was not invited to attend the premiere of the film at New York but he attended anyway, buying a ticket from a scalper outside the theatre.

Clifton, realising that there were crucial holes in the concert footage, suggested that the entire show be recreated at Shepperton Studios in August 1974, on a mock-up of the Madison Square Garden stage. Close-ups and distance footage of the band members could then be slipped into the live sequences, which made up the bulk of the concert footage seen in the film. When it was agreed that the band would meet at Shepperton Studios for filming, Jones had recently had his hair cut short, so he had to wear a wig. Robert Plant's teeth had also been fixed between the 1973 and 1974 filmings.

In the May 2008 issue of Uncut Magazine, Page recalled the events surrounding the shooting of additional footage at Shepperton Studios:

... I'm sort of miming at Shepperton to what I'd played at Madison Square Garden, but of course, although I've got a rough approximation of what I was playing from night to night, it's not exact. So the film that came out in the '70s is a bit warts-and-all.

A plan to shoot additional footage on the band's Autumn 1975 U.S. tour was abandoned due to Plant's car crash in Rhodes, Greece.

In 1976 a midnight screening of the film was organised by Atlantic Records prior to its release, at which label president Ahmet Ertegün reportedly fell asleep.

The film was finally completed by early 1976, 18 months behind schedule and over-budget. Peter Grant later quipped "It was the most expensive home movie ever made". It grossed $200,000 in its first week at the box office.

Following the film's completion, the band experienced a major falling out with Peter Clifton. Suspecting that he had 'stolen' negatives of the film, Peter Grant ordered that his house be searched. They did find some footage, but this turned out to be a collection of the best 'home movie' footage which Clifton had intended to give to the band members as a gift. Clifton was also annoyed at the decision to remove from the film's credits the names of all the people who had worked on editing, make up and effects. Unlike Massot, however, Clifton was invited to both the New York and London premieres of the film.