Form
The poem is written in stanzas of irregular length known as laisses. The lines are decasyllabic (containing ten syllables), and each is divided by a strong caesura which generally falls after the fourth syllable. The last stressed syllable of each line in a laisse has the same vowel sound as every other end-syllable in that laisse. The laisse is therefore an assonal, not a rhyming stanza.
On a narrative level, the Song of Roland features extensive use of repetition, parallelism, and thesis-antithesis pairs. Unlike later Renaissance and Romantic literature, the poem focuses on action rather than introspection.
The author gives few explanations for characters' behavior. The warriors are stereotypes defined by a few salient traits; for example, Roland is loyal and trusting while Ganelon, though brave, is traitorous and vindictive.
The story moves at a fast pace, occasionally slowing down and recounting the same scene up to three times but focusing on different details or taking a different perspective each time. The effect is similar to a film sequence shot at different angles so that new and more important details come to light with each shot.
Read more about this topic: The Song Of Roland
Famous quotes containing the word form:
“Being cultured is the least expensive form of respectability.”
—Mason Cooley (b. 1927)
“Others form man; I tell of him, and portray a particular one, very ill-formed, whom I should really make very different from what he is if I had to fashion him over again. But now it is done.”
—Michel de Montaigne (1533–1592)
“Cry cry what shall I cry?
The first thing to do is to form the committees:
The consultative councils, the standing committees, select committees and sub-committees.
One secretary will do for several committees.”
—T.S. (Thomas Stearns)