Form
The poem is written in stanzas of irregular length known as laisses. The lines are decasyllabic (containing ten syllables), and each is divided by a strong caesura which generally falls after the fourth syllable. The last stressed syllable of each line in a laisse has the same vowel sound as every other end-syllable in that laisse. The laisse is therefore an assonal, not a rhyming stanza.
On a narrative level, the Song of Roland features extensive use of repetition, parallelism, and thesis-antithesis pairs. Unlike later Renaissance and Romantic literature, the poem focuses on action rather than introspection.
The author gives few explanations for characters' behavior. The warriors are stereotypes defined by a few salient traits; for example, Roland is loyal and trusting while Ganelon, though brave, is traitorous and vindictive.
The story moves at a fast pace, occasionally slowing down and recounting the same scene up to three times but focusing on different details or taking a different perspective each time. The effect is similar to a film sequence shot at different angles so that new and more important details come to light with each shot.
Read more about this topic: The Song Of Roland
Famous quotes containing the word form:
“That is what the highest criticism really is, the record of one’s own soul. It is more fascinating than history, as it is concerned simply with oneself. It is more delightful than philosophy, as its subject is concrete and not abstract, real and not vague. It is the only civilised form of autobiography.”
—Oscar Wilde (1854–1900)
“You may try but you can never imagine what it is to have a man’s form of genius in you, and to suffer the slavery of being a girl.”
—George Eliot [Mary Ann (or Marian)
“I wage not any feud with Death
For changes wrought on form and face;
No lower life that earth’s embrace
May breed with him can fright my faith.”
—Alfred Tennyson (1809–1892)