Production
During the production, Brando repeatedly argued with Oz and called him "Miss Piggy". Oz later blamed himself for the tension and cited his tendency to be confrontational rather than nurturing in response to Brando's acting style.
Most of the conversations between De Niro and Brando are improvised. Norton later admitted he wasn't very fond of the script and only did the film to work with De Niro and Brando, stating that he would have loved a script that "had three characters reading from the Montreal phone book, if the other two actors were Brando and DeNiro". This film was Brando's final completed film before his death in 2004. Two years after his death, he appeared in the film Superman Returns in archive footage as Superman's father Jor-El, a role he played in the original 1978 film Superman and in the 1980 sequel Superman II.
Since the movie was shot in Montréal, some of the cast included many French Canadian actors, such as Martin Drainville, Serge Houde and Claude Despins who played a security guard at the customs house, the jazz club host/greeter and the club's bartender, respectively.
Read more about this topic: The Score (film)
Famous quotes containing the word production:
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)
“Constant revolutionizing of production ... distinguish the bourgeois epoch from all earlier ones. All fixed, fast-frozen relations, with their train of ancient and venerable prejudices are swept away, all new-formed ones become antiquated before they can ossify. All that is solid melts into air, all that is holy is profaned, and man is at last compelled to face with sober senses, his real conditions of life, and his relations with his kind.”
—Karl Marx (1818–1883)
“I really know nothing more criminal, more mean, and more ridiculous than lying. It is the production either of malice, cowardice, or vanity; and generally misses of its aim in every one of these views; for lies are always detected, sooner or later.”
—Philip Dormer Stanhope, 4th Earl Chesterfield (1694–1773)