The Scarlet Letter - Contemporaneous Treatments of The Theme of Adultery

Contemporaneous Treatments of The Theme of Adultery

The defeat of the revolutions of 1848 and 1849 in Europe appears to have unleashed a veritable epidemic of treatments of the theme of adultery. The rebellion of a wife against the fetters of her marriage may be seen as a code for the artist's rebellion against political and legal authority. In the same year in which The Scarlet Letter was published, for instance Verdi's opera Stiffelio was premiered, in which the title character is also a minister; it is not he, but his wife who commits the act of adultery. From 1854 to 1859 Richard Wagner portrayed adulteresses in Die Walküre and Tristan und Isolde; at the same time, Gustave Flaubert was working on Madame Bovary.

Read more about this topic:  The Scarlet Letter

Famous quotes containing the words theme and/or adultery:

    This is certainly not the place for a discourse about what festivals are for. Discussions on this theme were plentiful during that phase of preparation and on the whole were fruitless. My experience is that discussion is fruitless. What sets forth and demonstrates is the sight of events in action, is living through these events and understanding them.
    Doris Lessing (b. 1919)

    Take adultery or theft.
    Merely sins.
    It is evil who dines on the soul,
    stretching out its long bone tongue.
    It is evil who tweezers my heart,
    picking out its atomic worms.
    Anne Sexton (1928–1974)