Plot
John Barratt (Alec Guinness), a lonely, discontented teacher of French at a British university, vacations in France. There, by chance, he meets his double, French nobleman Jacques De Gué (Guinness again). They become acquainted. Barratt becomes drunk and accepts De Gué's invitation to share his hotel room. When he wakes up the next morning, Barratt finds himself alone in the room, with his clothes and passport missing. De Gué's chauffeur Gaston (Geoffrey Keen) shows up to take his master home, and Barratt is unable to convince him that he is not the nobleman. Gaston calls Dr. Aloin (Noel Howlett), who diagnoses the Englishman as suffering from schizophrenia.
A bewildered Barratt allows himself to be taken to De Gué's chateau, where he meets "his" family: daughter Marie-Noel, wife Françoise (Irene Worth), sister Blanche (Pamela Brown) and formidable mother, the Countess (Bette Davis). None of them believe his story - it appears that De Gué is a malicious liar - so Barratt resigns himself to playing along. As time goes on, he feels needed, something missing in his sterile prior life.
The next day, brother-in-law Aristide (Peter Bull) discusses business with him. Later, in the nearby town, Barratt is nearly run down by De Gué's mistress, Béla (Nicole Maurey), on her horse. He spends the usual Wednesday afternoon tryst getting acquainted with her. The next time they meet, before he can confess the truth, she informs him that she has already guessed it.
Barratt delves into the neglected family glass-making business. He decides to renew a contract with the local foundry, even on unfavourable terms, to avoid throwing the longtime employees out of work. The Countess is upset by his decision and mentions a marriage contract. When Barratt investigates, he learns that Françoise's considerable wealth, tied up by her businessman father, would come under his control if she were to die. Françoise finds him reading the contract and becomes very upset, accusing him of wanting to see her dead. Barratt consoles her by telling her that the contract can be changed. He begins to suspect the reason for De Gué's disappearance.
One day, Barratt receives a message from Béla. He goes to see her and spends a pleasant afternoon with her, though she denies having sent for him. When he returns to the chateau, he learns that Françoise has died from a fall. Blanche accuses Barratt of murder, stating that she overheard him with his wife in her room just before her death. However, Gaston provides an unshakable alibi, having driven Barratt to his rendezvous with Béla.
Barratt is not surprised when De Gué resurfaces shortly afterwards. They meet in private; the Frenchman demands his identity back, but Barratt refuses. Both men have come armed and shots are exchanged. Barratt emerges victorious and returns to his new life and Béla.
Read more about this topic: The Scapegoat (1959 Film)
Famous quotes containing the word plot:
“We have defined a story as a narrative of events arranged in their time-sequence. A plot is also a narrative of events, the emphasis falling on causality. “The king died and then the queen died” is a story. “The king died, and then the queen died of grief” is a plot. The time sequence is preserved, but the sense of causality overshadows it.”
—E.M. (Edward Morgan)
“Those blessed structures, plot and rhyme—
why are they no help to me now
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something imagined, not recalled?”
—Robert Lowell (1917–1977)
“James’s great gift, of course, was his ability to tell a plot in shimmering detail with such delicacy of treatment and such fine aloofness—that is, reluctance to engage in any direct grappling with what, in the play or story, had actually “taken place”Mthat his listeners often did not, in the end, know what had, to put it in another way, “gone on.””
—James Thurber (1894–1961)