The Royal Tenenbaums - Reception

Reception

The film was met with mostly positive reviews, viewed by many as a worthy follow-up to Anderson's previous film, Rushmore. The film holds a 80% "Fresh" rating at the website Rotten Tomatoes, a 75% "Fresh" rating among the top critics, and a 75/100 weighted average score at Metacritic. Todd McCarthy of Variety called the film "As richly conceived as the novel it pretends to be" and Richard Schickel, in Time, writing, "As with Anderson's Rushmore, there's a certain annoying preciousness to this film—it's not so consistently wise or amusing as he thinks it is—but it has its moments." Roger Ebert praised the film's writing, noting his belief that the film was "proof that Anderson and his writing partner, the actor Owen Wilson, have a gift of cockeyed genius." Mick LaSalle of the San Francisco Chronicle was enthusiastic in praising the film as "like no other, an epic, depressive comedy, with lots of ironic laughs and a humane and rather sad feeling at its core."

Some critics disagreed about the success of the film and its style, Glenn Lovell of the San Jose Mercury News writing, "If I smiled at all during this colossal misfire, it was at Hackman, who knows how to do cheerfully thoughtless better than anyone around. The rest of the cast looks lost and miserable." Peter Rainer was lukewarm about the film, writing, "Anderson is something of a prodigy himself, and he's riddled with talent, but he hasn't figured out how to be askew and heartfelt at the same time." Jay Carr of the Boston Globe wrote "Mostly you sit around waiting for it to be funnier, or at least funny more often."

Read more about this topic:  The Royal Tenenbaums

Famous quotes containing the word reception:

    But in the reception of metaphysical formula, all depends, as regards their actual and ulterior result, on the pre-existent qualities of that soil of human nature into which they fall—the company they find already present there, on their admission into the house of thought.
    Walter Pater (1839–1894)

    To aim to convert a man by miracles is a profanation of the soul. A true conversion, a true Christ, is now, as always, to be made by the reception of beautiful sentiments.
    Ralph Waldo Emerson (1803–1882)

    He’s leaving Germany by special request of the Nazi government. First he sends a dispatch about Danzig and how 10,000 German tourists are pouring into the city every day with butterfly nets in their hands and submachine guns in their knapsacks. They warn him right then. What does he do next? Goes to a reception at von Ribbentropf’s and keeps yelling for gefilte fish!
    Billy Wilder (b. 1906)