Recording and Releases
Recorded at Regent Sound Studios in London over the course of five days in January and February 1964, The Rolling Stones was produced by then-managers Andrew Loog Oldham and Eric Easton. The album was originally released by Decca Records in the UK, while the US version appeared on the London Records label.
The majority of the tracks reflect the band's love for R&B. Mick Jagger and Keith Richards (whose professional name until 1978 omitted the "s" in his surname) were fledgling songwriters during early 1964, contributing only one original composition to the album: "Tell Me (You're Coming Back)". Two songs are credited to "Nanker Phelge" – a pseudonym the band used for group compositions from 1963 to 1965. Phil Spector and Gene Pitney both contributed to the recording sessions, and are referred to as "Uncle Phil and Uncle Gene" in the subtitle of the Phelge instrumental "Now I've Got a Witness."
The album cover photo was taken by Nicholas Wright. The cover bears no title or identifying information other than the photo and the Decca logo - an "unheard of" design concept originated by manager Andrew Oldham.
Upon its release, The Rolling Stones became one of 1964's biggest sellers in the UK, staying at #1 for twelve weeks.
The original British version is out-of-print on CD. In November 2010, it was made available as part of a limited edition vinyl box set titled The Rolling Stones 1964-1969, and by itself digitally at the same time. The release of the album in both the UK and US were only released in mono; no true stereo mix was ever made.
Read more about this topic: The Rolling Stones (album)
Famous quotes containing the words recording and/or releases:
“He shall not die, by G—, cried my uncle Toby.
MThe ACCUSING SPIRIT which flew up to heaven’s chancery with the oath, blush’d as he gave it in;—and the RECORDING ANGEL as he wrote it down, dropp’d a tear upon the word, and blotted it out for ever.”
—Laurence Sterne (1713–1768)
“We need a type of theatre which not only releases the feelings, insights and impulses possible within the particular historical field of human relations in which the action takes place, but employs and encourages those thoughts and feelings which help transform the field itself.”
—Bertolt Brecht (1898–1956)