The Real World?

The Real World?

The Real World is a reality television program on MTV originally produced by Mary-Ellis Bunim and Jonathan Murray. First broadcast in 1992, the show, which was inspired by the 1973 PBS documentary series An American Family, is the longest-running program in MTV history and one of the longest-running reality series in history, credited with launching the modern reality TV genre.

The series was hailed in its early years for depicting issues of contemporary young-adulthood relevant to its core audience, such as prejudice, abortion, sexuality, AIDS and substance abuse, but later garnered a reputation as a showcase for immature and irresponsible behavior.

Following Bunim’s death from breast cancer in 2004, Bunim/Murray Productions continues to produce the program. The twenty-seventh season, set in Saint Thomas, U.S. Virgin Islands, premiered on June 27, 2012, and ended its first run on September 12, 2012. The twenty-eighth season, set in Portland, Oregon, premiered on March 27, 2013. The show is currently renewed by MTV through its 28th season.

The series has generated two notable spin-offs, both broadcast by MTV: Road Rules, which lasted for 14 seasons (1995–2007), and the reality game show The Challenge (originally known as Road Rules: All Stars before being renamed Real World/Road Rules Challenge after both its precursors), which has run for over 20 seasons (1998–present). The Challenge is mostly cast-contestant dependent on both The Real World and Road Rules, as it combines contestants from various seasons of both shows. Coordinating the series with its spin-off, MTV alternates between airing seasons of The Real World and The Challenge and ends out seasons of both shows by showing previews for the upcoming season of the other.

Read more about The Real World?:  History, Cast Member Successes, Format and Structure, Seasons, Spinoffs and Related Projects, Parodies, Derivatives, and References, See Also

Famous quotes containing the word real:

    One forgets too easily the difference between a man and his image, and that there is none between the sound of his voice on the screen and in real life.
    Robert Bresson (b. 1907)