Influences and Critical Reception
Maugham, like Hermann Hesse, was remarkably prescient, anticipating an embrace of Eastern culture by Americans and Europeans almost a decade before the Beats were to popularize it. (It should be noted that Americans had explored Eastern philosophy prior to these authors, notably in the first half of the nineteenth century by the Transcendentalists.) Maugham himself visited Sri Ramana Ashram, where he had a direct interaction with Ramana Maharshi in Tamil Nadu, India in 1938. Maugham’s suggestion that he "invented nothing" was a source of annoyance for Christopher Isherwood, who helped him translate a verse 1.3.14 from the Katha Upanishads for the novel’s epigraph - उत्तिष्ठ जाग्रत प्राप्य वरान्निबोधत | क्षुरस्य धारा निशिता दुरत्यया दुर्गं पथस्तत्कवयो वदन्ति || (uttiShTha jAgrata prApya varAn_nibodhata | kShurasya dhArA nihitA duratyayA pathas_tat_ -avayo vadanti || ) - which means "Rise, awaken, seek the wise and realize. The path is difficult to cross like the sharpened edge of the razor (knife), so say the wise." Many thought Isherwood, who had built his own literary reputation by then and was studying Indian philosophy, was the basis for the book’s hero. Isherwood went so far as to write Time magazine denying this speculation.
Read more about this topic: The Razor's Edge
Famous quotes containing the words influences, critical and/or reception:
“Live in each season as it passes; breathe the air, drink the drink, taste the fruit, and resign yourself to the influences of each. Let them be your only diet drink and botanical medicines.”
—Henry David Thoreau (1817–1862)
“If our entertainment culture seems debased and unsatisfying, the hope is that our children will create something of greater worth. But it is as if we expect them to create out of nothing, like God, for the encouragement of creativity is in the popular mind, opposed to instruction. There is little sense that creativity must grow out of tradition, even when it is critical of that tradition, and children are scarcely being given the materials on which their creativity could work”
—C. John Sommerville (20th century)
“He’s leaving Germany by special request of the Nazi government. First he sends a dispatch about Danzig and how 10,000 German tourists are pouring into the city every day with butterfly nets in their hands and submachine guns in their knapsacks. They warn him right then. What does he do next? Goes to a reception at von Ribbentropf’s and keeps yelling for gefilte fish!”
—Billy Wilder (b. 1906)