The Rape of Nanking (book) - Inspiration

Inspiration

When Iris Chang was a child, she was told by her immigrant parents, who had escaped from China via Taiwan to the United States during World War II, that during the Nanking Massacre, the Japanese "sliced babies not just in half but in thirds and fourths." In the introduction of The Rape of Nanking, she wrote that throughout her childhood, the Nanking Massacre "remained buried in the back of mind as a metaphor for unspeakable evil." When she searched the local public libraries in her school and found nothing, she wondered why no one had written a book about it.

The subject of the Nanking Massacre entered Chang's life again almost two decades later when she learned of producers who had completed documentary films about it. One of the producers was Shao Tzuping, who helped produce Magee's Testament," a film that contains footage of the Nanking Massacre itself, shot by the missionary John Magee. The other producer was Nancy Tong, who, together with Christine Choy, produced and co-directed In The Name of the Emperor',' a film containing a series of interviews with Chinese, American, and Japanese citizens. Chang began talking to Shao and Tong, and soon she was connected to a network of activists who felt the need to document and publicize the Nanking Massacre. In December 1994, she attended a conference on the Nanking Massacre, held in Cupertino, California, and what she saw and heard at the conference motivated her to write The Rape of Nanking. As she wrote in the introduction to the book, while she was at the conference, she was "suddenly in a panic that this terrifying disrespect for death and dying, this reversion in human social evolution, would be reduced to a footnote of history, treated like a harmless glitch in a computer program that might or might not again cause a problem, unless someone forced the world to remember it."

Read more about this topic:  The Rape Of Nanking (book)

Famous quotes containing the word inspiration:

    As one knows the poet by his fine music, so one can recognise the liar by his rich rhythmic utterance, and in neither case will the casual inspiration of the moment suffice. Here, as elsewhere, practice must precede perfection.
    Oscar Wilde (1854–1900)

    What is called eloquence in the forum is commonly found to be rhetoric in the study. The orator yields to the inspiration of a transient occasion, and speaks to the mob before him, to those who can hear him; but the writer, whose more equable life is his occasion, and who would be distracted by the event and the crowd which inspire the orator, speaks to the intellect and heart of mankind, to all in any age who can understand him.
    Henry David Thoreau (1817–1862)

    Poets should be lawgivers; that is, the boldest lyric inspiration should not chide and insult, but should announce and lead, the civil code, and the day’s work. But now the two things seem irreconcilably parted.
    Ralph Waldo Emerson (1803–1882)