Characters in The Puppet Masters
- Sam, born Elihu Nivens, is the classic Heinlein hero, multi-talented, independent, fiercely loyal to friends and an implacable enemy to foes. He is thirtyish, but has changed appearance so many times even he has doubts as to how he originally looked.
- Mary, born Allucquere in a religious commune on Venus, is Heinlein's classic heroine. She is tall, red-headed, hard-nosed and brilliant. Sam describes her as having the "real redheaded saurian bony structure to her skull". Her professional exterior conceals psychological scars from her encounter with the slugs as a child. Only the Old Man knows the truth about her, thanks to the deep hypnotic analysis that all agents have to undergo. (Academic theorist, artist, and performer Allucquere Rosanne Stone (born Zelig Ben-Natan) lived near the Heinleins at some point in the late 1960s and took the unusual name, but is rather evasive about the exact circumstances.)
- The Old Man, born Andrew Nivens, is the head of a top secret government agency that he wishes did not have to exist, doing his job reluctantly because nobody else would do it properly. He represents the third of Heinlein's favorite types of character, the "wise, grumpy old man". He is the first in the line that includes Jubal Harshaw, Professor Bernardo de la Paz, Johann Sebastian Bach Smith, and the later life of Lazarus Long. (Lazarus Long's grandfather, who has a major role in the later part of Time Enough for Love, is particularly similar in character to "The Old Man".)
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Famous quotes containing the words characters in, characters and/or puppet:
“Waxed-fleshed out-patients
Still vague from accidents,
And characters in long coats
Deep in the litter-baskets
All dodging the toad work
By being stupid or weak.”
—Philip Larkin (1922–1986)
“A criminal trial is like a Russian novel: it starts with exasperating slowness as the characters are introduced to a jury, then there are complications in the form of minor witnesses, the protagonist finally appears and contradictions arise to produce drama, and finally as both jury and spectators grow weary and confused the pace quickens, reaching its climax in passionate final argument.”
—Clifford Irving (b. 1930)
“The pretty fellows you speak of, I own entertain me sometimes, but is it impossible to be diverted with what one despises? I can laugh at a puppet show, at the same time I know there is nothing in it worth my attention or regard.”
—Mary Wortley, Lady Montagu (1689–1762)