Release
According to Brooks, after the film was completed, Embassy executives refused to release it as being in "bad taste"; however, Peter Sellers saw the film privately and placed an advertisement in Variety in support of the film's wider release. Sellers was familiar with the film because, according to Brooks, Sellers had accepted the role of Bloom and then was never heard from again. The film premiered in Pittsburgh, Pennsylvania on November 22, 1967 and subsequently had a limited release to only a small number of theaters.
It has been alleged that the film was "banned in Germany". Following the film's lackluster response in the UK, German distributors did decline to distribute it, but their lack of interest did not technically constitute a ban.
In Sweden, however, the title literally translates as "Springtime For Hitler". As a result of its success, all but two of Mel Brooks movies in Swedish have been given similar titles: "Springtime For Mother-In-Law" (The Twelve Chairs); "Springtime For The Sheriff" (Blazing Saddles); "Springtime For Frankenstein" (Young Frankenstein); "Springtime For The Silent Movies" (Silent Movie); "Springtime For The Lunatics" (High Anxiety); "Springtime For World History" (History of the World, Part I); "Springtime For Space" (Spaceballs); and "Springtime For The Slum" (Life Stinks).
Read more about this topic: The Producers (1968 film)
Famous quotes containing the word release:
“If I were to be taken hostage, I would not plead for release nor would I want my government to be blackmailed. I think certain government officials, industrialists and celebrated persons should make it clear they are prepared to be sacrificed if taken hostage. If that were done, what gain would there be for terrorists in taking hostages?”
—Margaret Mead (1901–1978)
“An inquiry about the attitude towards the release of so-called political prisoners. I should be very sorry to see the United States holding anyone in confinement on account of any opinion that that person might hold. It is a fundamental tenet of our institutions that people have a right to believe what they want to believe and hold such opinions as they want to hold without having to answer to anyone for their private opinion.”
—Calvin Coolidge (1872–1933)
“We read poetry because the poets, like ourselves, have been haunted by the inescapable tyranny of time and death; have suffered the pain of loss, and the more wearing, continuous pain of frustration and failure; and have had moods of unlooked-for release and peace. They have known and watched in themselves and others.”
—Elizabeth Drew (1887–1965)