The Prince of Tides - Reception

Reception

While the film was a box office hit and raised Streisand's reputation as a director, its numerous changes from the original novel upset some Conroy purists. Conroy and Johnston eliminated most of the novel's flashback scenes. They describe Tom Wingo's relationship with his siblings in great detail. In the novel, these flashbacks form the main plot and take up more of the novel than the romance between Streisand's character, Dr. Lowenstein, and Tom Wingo. The removal of the flashbacks makes the relationship between Wingo and Lowenstein the central story in the film, whereas in the novel, it is not. Another character in the novel - the second Wingo brother, Luke, who appears only in flashbacks onscreen - is vitally important to the novel, and his death is a major plot point. In fact, the title of the book derives from a poem written by Savannah about Luke and his struggle against the government after the seizure of Colleton. In the film, "The Prince of Tides" is the title of a book of poetry written by Savannah and dedicated to Tom. Luke only appears intermittently, and only as a child, and his death is only vaguely described.

The Prince of Tides was a box office success, opening at number four with a grossing of $10,035,412 behind Hook, Beauty and the Beast, and Father of the Bride, and remained in the top 10 for seven weeks. Eventually the final gross was $74,787,599. $36,100,000 in rentals accumulated, and gave the film a final gross of $110 million.

Although the film, its cast, and its crew received many nominations for Academy Awards, "Best Director" was not among these, while "Best Picture" was. At the following year's Oscar ceremonies, host Billy Crystal sang, to the tune of "Don't Rain on My Parade," "did this film direct itself? " The following year, when A Few Good Men joined Prince of Tides and the previous year's Awakenings in being nominated for the latter award, but not the former, Columbia Pictures president Mark Canton issued a statement, "This is unfortunately the third year in a row that Columbia has had a film nominated for best picture that seemingly directed itself."

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