The Philadelphia Story (film)
The Philadelphia Story is a 1940 American romantic comedy film directed by George Cukor, starring Cary Grant, Katharine Hepburn, and James Stewart and featuring Ruth Hussey. Based on the Broadway play of the same name by Philip Barry, the film is about a socialite (Hepburn) whose wedding plans are complicated by the simultaneous arrival of her ex-husband (Grant) and a tabloid magazine journalist (Stewart). Written for the screen by Donald Ogden Stewart and an uncredited Waldo Salt, it is considered one of the best examples of a comedy of remarriage, a genre popular in the 1930s and 1940s, in which a couple divorce, flirt with outsiders and then remarry – a useful story-telling ploy at a time when the depiction of extramarital affairs was blocked by the Production Code.
The film was Hepburn's first big hit following several flops, which had led to her being included on a 1938 list that Manhattan movie theater owner Harry Brandt compiled of actors he considered to be "box office poison." She acquired the film rights to the play, which she had also starred in, with the help of Howard Hughes, in order to control it as a vehicle for her movie comeback.
The film was nominated for six Academy Awards, winning two: Stewart for Best Actor and Donald Ogden Stewart for Best Adapted Screenplay. It was remade in 1956 as the musical High Society, starring Bing Crosby, Grace Kelly, Frank Sinatra and Louis Armstrong.
The film was produced by Joseph L. Mankiewicz and was selected for preservation in the United States National Film Registry in 1995.
Read more about The Philadelphia Story (film): Plot, Cast, Production, Critical Reception, Awards and Honors, Adaptations, Gallery
Famous quotes containing the word philadelphia:
“It used to be said that, socially speaking, Philadelphia asked who a person is, New York how much is he worth, and Boston what does he know. Nationally it has now become generally recognized that Boston Society has long cared even more than Philadelphia about the first point and has refined the asking of who a person is to the point of demanding to know who he was. Philadelphia asks about a man’s parents; Boston wants to know about his grandparents.”
—Cleveland Amory (b. 1917)