The Partridge Family Album

The Partridge Family Album is The Partridge Family's first album. It was released in 1970 and included their first recording, "I Think I Love You". It has a picture of the whole family on the back and a small picture of David Cassidy and Shirley Jones. The album cover is made to look like an old-fashioned photo album. The original release of the album included a framed color photograph of the group. The exterior label promoting the inclusion of the hit song was affixed to the jacket itself, not the shrink wrap.

The album reached #4 in the U.S. on the Billboard album chart and #6 in neighbouring Canada on the RPM 100 national album chart. It was produced by Wes Farrell and engineered by Bob Kovach. It was arranged by Mike Melvoin, Billy Strange, Wes Farrell, and Don Peake. A few of the songs on the album feature a choral pop sound by people who were the original voices of The Partridge Family before it was discovered that David Cassidy could sing. They were John and Tom Bahler, Ron Hicklin and Jackie Ward. Shortly after production on the first album and TV show began David Cassidy was promoted by Wes Farrell to lead singer. From that point on they provided the backup vocals for all of the Partridge Family albums, along with Shirley Jones and assorted other singers. The songs on the album were written by such people as Tony Romeo, Terry Cashman, Tommy West, Barry Mann, and Cynthia Weil.

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Famous quotes containing the words partridge and/or family:

    The first day of Christmas,
    My true love sent to me
    A partridge in a pear tree.
    —Unknown. The Twelve Days of Christmas (l. 1–3)

    Every family should extend First Amendment rights to all its members, but this freedom is particularly essential for our kids. Children must be able to say what they think, openly express their feelings, and ask for what they want and need if they are ever able to develop an integrated sense of self. They must be able to think their own thoughts, even if they differ from ours. They need to have the opportunity to ask us questions when they don’t understand what we mean.
    Stephanie Martson (20th century)