Novels
- David Seltzer, The Omen. (Futura, 1976).
- Joseph Howard, Damien: Omen II. (Futura, 1978).
- Gordon McGill, Omen III: The Final Conflict. (Futura, 1980).
- Gordon McGill, Omen IV: Armageddon 2000. (Futura, 1983).
- Gordon McGill, Omen V: The Abomination. (Futura, 1985).
Both the movie and the novelization were written by David Seltzer (the book preceded the movie by two weeks as an effective marketing gimmick). For the book, Seltzer took liberties with his own material, augmenting plot points and character backgrounds and changing details (such as character names — Holly becomes Chessa Whyte, Keith Jennings becomes Huber Jennings, Father Brennan becomes Father Edgardo Emilio Tassone, et cetera). The second and third novels were novelized forms of their respective movies and more-or-less reflected movie continuity. Interestingly, Gordon McGill retroactively changed the time period of The Omen to the 1950s, in order to make The Final Conflict (featuring an adult Damien) take place explicitly in the 1980s. Although neither the first Omen movie nor its novelisation mention what year the story takes place, it can be assumed that its setting was intended to be the year the movie was released (i.e. 1976).
The fourth novel, Omen IV: Armageddon 2000, was entirely unrelated to the fourth movie, but continued the story of Omen III. Its premise is based on the one-night stand between Damien Thorn and Kate Reynolds in Omen III. This affair included an act of sodomy and thence Kate gave the (rectal) "birth" of another diabolical entity called "the abomination" (presumably after the "abomination of desolation" from the book of Daniel) in Omen IV. This novel attempted to patch one of the Omen series' more glaring plot-holes, namely the question of whether the Antichrist could be slain by a single one of the "Seven Sacred Daggers of Megiddo" (which occurred in Omen III) or only by all of them (as stated in the first book and movie). The solution reached was that one dagger could kill Damien's form, but not his soul. This explanation was also explicitly stated in the first movie. Damien's acolyte Paul Buher (played by Robert Foxworth in the second movie and mentioned, though not seen, in the third) is a major character in the fourth book and achieves redemption in its climax.
This story was concluded in the fifth novel, Omen V: The Abomination. The novel begins with a "memoriam" listing all of the characters who had been killed throughout the saga up to that point, and which states Damien's life as having taken place in the period of 1950–1982. The story ends with the death of Damien's son, and the character Jack Mason deciding to chronicle Damien's story in book-form. The opening lines he writes are exactly the same words which begin David Seltzer's novelization of the first film, bringing the series full-circle.
Read more about this topic: The Omen
Famous quotes containing the word novels:
“I have just opened Bacons Advancement of Learning for the first time, which I read with great delight. It is more like what Scotts novels were than anything.”
—Henry David Thoreau (18171862)
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. The Limits of the Novel and the Limits of the Film, Novels Into Film, Johns Hopkins Press (1957)
“Compare the history of the novel to that of rock n roll. Both started out a minority taste, became a mass taste, and then splintered into several subgenres. Both have been the typical cultural expressions of classes and epochs. Both started out aggressively fighting for their share of attention, novels attacking the drama, the tract, and the poem, rock attacking jazz and pop and rolling over classical music.”
—W. T. Lhamon, U.S. educator, critic. Material Differences, Deliberate Speed: The Origins of a Cultural Style in the American 1950s, Smithsonian (1990)