Story
The story of the Night's Dawn Trilogy is separated over three books: The Reality Dysfunction (1996), The Neutronium Alchemist (1997), and The Naked God (1999); but is also supported by "A Second Chance at Eden", a collection of short stories which provide insight into the history of Hamilton's universe.
The story is divided in many threads, based on primary, secondary and tertiary characters. These delve deeply into the rich and complex texture of the Universe providing a great sense of verisimilitude, also exploring some of Hamilton's darker themes. These story lines include Dariat's struggles inside Valisk, and the Deadnights' voyage to their 'Saviour'.
In the 27th century humans have colonised nearly 900 worlds, have living, sentient starships as well as the conventional kind, and are also living in Asteroid communities and in large, living Space stations. Due to policies of 'Ethnic Streaming' by the colonisation authorities, worlds are generally united under a single government, with these governments collectively forming a Confederation. The Confederation includes both Adamists and Edenists, two alien races (the Tyrathca and the Kiint), has an armed Navy (which acts primarily against smugglers, pirates and anti-matter production facilities, which are highly illegal) and a central 'house' based on the world of Avon. Earth is still an important world, with a massive population, exporting a massive number of colonists (both voluntarily and involuntarily), but virtually environmentally destroyed after years of technological abuse.
Read more about this topic: The Night's Dawn Trilogy
Famous quotes containing the word story:
“For I could tell you a story which is true;
I know a lady with a terrible tongue,
Blear eyes fallen from blue,
All her perfections tarnished—and yet it is not long
Since she was lovelier than any of you.”
—John Crowe Ransom (1888–1974)
“Saving one human life is better than building a seven story pagoda to the Buddha.”
—Chinese proverb.
“Yet if strict criticism should till frown on our method, let candor and good humor forgive what is done to the best of our judgment, for the sake of perspicuity in the story and the delight and entertainment of our candid reader.”
—Sarah Fielding (1710–1768)