Reception
Though West Side Story had opened nearly three months earlier, The Music Man captured audiences, critics and five Tony Awards, including Best Musical. The New York Times theatre critic Brooks Atkinson wrote in his review "If Mark Twain could have collaborated with Vachel Lindsay, they might have devised a rhythmic lark like The Music Man, which is as American as apple pie and a Fourth of July oration.... The Music Man is a marvelous show, rooted in wholesome and comic tradition."
Walter Kerr of the Herald Tribune glowingly described the opening scene of the musical: "It's the beat that does it. The overture of The Music Man drives off with a couple of good, shrill whistles and a heave-ho blast from half the brass in the pit, with the heartier trombonists lurching to their feet in a blare of enthusiasm. The curtain sails up to disclose the most energetic engine on the Rock Island Railroad (circa 1912) hurtling across the proscenium with real smoke pouring out of its smokestack and real steam rolling along the rails". Kerr called Preston "indefatigable: he's got zest and gusto and a great big grin for another slam-bang march tune". Robert Coleman of the New York Daily Mirror wrote that the producer "made a 10-strike in landing Robert Preston for the title role", stating that Preston "paces the piece dynamically, acts ingratiatingly, sings as if he'd been doing it all his life, and offers steps that would score on the cards of dance judges".
Frank Aston of the New York World-Telegram and Sun declared "It deserves to run at least a decade", especially praising Barbara Cook's performance as Marian: "If all our stack-tenders looked, sang, danced, and acted like Miss Barbara, this nation's book learning would be overwhelming". John Chapman of the Daily News pronounced The Music Man "one of the few great musical comedies of the last 26 years", stating that Of Thee I Sing (1931) "set a standard for fun and invention which has seldom been reached. Its equal arrived in 1950 – Guys and Dolls – and I would say that The Music Man ranks with these two". In the Journal-American, John McClain deemed the show "a whopping hit. This salute by Meredith Willson to his native Iowa will make even Oklahoma! look to its laurels".
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Famous quotes containing the word reception:
“But in the reception of metaphysical formula, all depends, as regards their actual and ulterior result, on the pre-existent qualities of that soil of human nature into which they fall—the company they find already present there, on their admission into the house of thought.”
—Walter Pater (1839–1894)
“I gave a speech in Omaha. After the speech I went to a reception elsewhere in town. A sweet old lady came up to me, put her gloved hand in mine, and said, “I hear you spoke here tonight.” “Oh, it was nothing,” I replied modestly. “Yes,” the little old lady nodded, “that’s what I heard.””
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“He’s leaving Germany by special request of the Nazi government. First he sends a dispatch about Danzig and how 10,000 German tourists are pouring into the city every day with butterfly nets in their hands and submachine guns in their knapsacks. They warn him right then. What does he do next? Goes to a reception at von Ribbentropf’s and keeps yelling for gefilte fish!”
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