Plot
In Egypt in 1895, archaeologists John Banning (Cushing), his father Stephen (Felix Aylmer) and his uncle Joseph Whemple (Raymond Huntley) are searching for the tomb of Princess Ananka, the high priestess of the god Karnak. John has a broken leg and cannot accompany his father and uncle when they open the tomb. Before they enter, an Egyptian man named Mehemet Bey (George Pastell) warns them not to go in, lest they face the fatal curse against desecraters. Stephen and Joseph ignore him, and discover within the sarcophagus of Ananka. After Joseph leaves to tell John the good news, Stephen finds the Scroll of Life and reads from it. He then screams off-screen and is found in a catatonic state.
Three years later, back in England, Stephen Banning comes out of his catatonia at the Engerfield Nursing Home for the Mentally Disordered, and sends for his son. He tells him that when he read from the Scroll of Life, he unintentionally brought back to life Kharis (Lee), the mummified high priest of Karnak. He was sentenced to be entombed alive to serve as the guardian of Princess Ananka's tomb as punishment for attempting to bring her back to life out of forbidden love. Now, Stephen tells his disbelieving son that Kharis will hunt down and kill all those who desecrated Ananka's tomb.
Meanwhile, Mehemet Bey, revealed as a devoted worshiper of Karnak, comes to Engerfield under the alias of Mehemet Akir to wreak vengeance on the Bannings. He hires a pair of drunken carters, Pat and Mike, to bring the slumbering Kharis in a crate to his rented home, but the two men foul up, and Kharis' crate falls off and sinks into a bog. Later, using the Scroll of Life, Mehemet exhorts Kharis to rise from the muck, then sends him to murder Stephen Banning. When Kharis kills Joseph Whemple the next night, he does so before the eyes of John Banning, who shoots him with a revolver at close range to no effect.
Police Inspector Mulrooney is assigned to solve the murders, but because he is skeptical and deals only in "cold, hard facts", he does not believe John's incredible story about a killer mummy, even when John figures that he is to be Kharis' third victim. While Mulrooney investigates, John notices that his wife Isobel bears an uncanny resemblance to Princess Ananka. Listening to a man who saw the mummy walking, Mulrooney slowly begins to wonder if John is right.
Mehemet Bey sends the mummy to the Bannings' home to slay his final victim. However, when Isobel rushes to her husband's aid, Kharis sees her, releases John and leaves. Mehemet Bey mistakenly believes that Kharis has completed his task, and prepares to return to Egypt. John, suspecting him of being the one controlling the mummy, pays him a visit, much to his surprise.
After John leaves, Mehemet Bey leads Kharis in a second attempt on John's life. The mummy knocks out Mulrooney, while Mehemet Bey deals with another policemen guarding the house. Kharis then finds and chokes John. Alerted by John's shots, Isobel once again causes Kharis to release him. When Mehemet orders Kharis to kill her, he refuses and kills Mehemet instead when he tries to finish her off himself. The mummy carries an unconscious Isobel into the swamp, followed by John, Mulrooney and other policemen. John yells to Isobel and when she regains consciousness, she tells Kharis to put her down. The mummy reluctantly obeys and when Isobel has moved away from him, the policemen open fire, causing Kharis to sink into a mire, taking the Scroll of Life with him.
Read more about this topic: The Mummy (1959 film)
Famous quotes containing the word plot:
“Morality for the novelist is expressed not so much in the choice of subject matter as in the plot of the narrative, which is perhaps why in our morally bewildered time novelists have often been timid about plot.”
—Jane Rule (b. 1931)
“There comes a time in every mans education when he arrives at the conviction that envy is ignorance; that imitation is suicide; that he must take himself for better for worse as his portion; that though the wide universe is full of good, no kernel of nourishing corn can come to him but through his toil bestowed on that plot of ground which is given him to till.”
—Ralph Waldo Emerson (18031882)
“After I discovered the real life of mothers bore little resemblance to the plot outlined in most of the books and articles Id read, I started relying on the expert advice of other mothersespecially those with sons a few years older than mine. This great body of knowledge is essentially an oral history, because anyone engaged in motherhood on a daily basis has no time to write an advice book about it.”
—Mary Kay Blakely (20th century)