Criticism
Most critics consider Merry Wives to be one of Shakespeare's weaker plays, and the Falstaff of Merry Wives to be much inferior to the Falstaff of the two Henry IV plays. That Shakespeare would so stumble with one of his greatest creations is puzzling and a satisfactory reason for this remains to be found. The likeliest explanation, if the Garter Feast theory is accepted, is that the play was written hastily, to order for a special occasion, within severe time constraints and rushed to meet a Royal deadline of possibly as little as only 14 days.
It has also been said that Shakespeare was one of Queen Elizabeth I's favourite playwrights and that she so enjoyed the buffoon Falstaff that she personally requested that Shakespeare write an entire comedy surrounding Falstaff. This would explain the powerful female characters as a bow to the queen and grand slapstick comedy surrounding Falstaff's mishaps in the play.
Read more about this topic: The Merry Wives Of Windsor
Famous quotes containing the word criticism:
“To be just, that is to say, to justify its existence, criticism should be partial, passionate and political, that is to say, written from an exclusive point of view, but a point of view that opens up the widest horizons.”
—Charles Baudelaire (18211867)
“It is ... pathetic to observe the complete lack of imagination on the part of certain employers and men and women of the upper-income levels, equally devoid of experience, equally glib with their criticism ... directed against workers, labor leaders, and other villains and personal devils who are the objects of their dart-throwing. Who doesnt know the wealthy woman who fulminates against the idle workers who just wont get out and hunt jobs?”
—Mary Barnett Gilson (1877?)
“The visual is sorely undervalued in modern scholarship. Art history has attained only a fraction of the conceptual sophistication of literary criticism.... Drunk with self-love, criticism has hugely overestimated the centrality of language to western culture. It has failed to see the electrifying sign language of images.”
—Camille Paglia (b. 1947)