The Masque of The Red Death - Analysis

Analysis

In "The Masque of the Red Death" Poe adopts many conventions of traditional Gothic fiction, including the setting of a castle. The multiple single-toned rooms may be representative of the human mind, showing different personality types. The imagery of blood and time throughout also indicate corporeality. The plague may, in fact, represent typical attributes of human life and mortality. This would imply the entire story is an allegory about man's futile attempts to stave off death; this interpretation is commonly accepted. However, there is much dispute over how to interpret "The Masque of the Red Death"; some suggest it is not allegorical, especially due to Poe's admission of a distaste for didacticism in literature. If the story really does have a moral, Poe does not explicitly state that moral in the text.

It is possible that the story is merely a revenge fantasy, in which the indifferent wealthy suffer the fate they "deserve", concocted by Poe in response to his observations of class distinctions of his day, a sublimation of his own frustrations at his own situation in life or perceived slights. The omniscient third-person narrator presents the arrival of the Red Death impassively, without regret, as if it is the logical consequence of moral depravity.

Blood, emphasized throughout the tale along with the color red, serves as a dual symbol, representing both death and life. This is emphasized by the masked figure – never explicitly stated to be the Red Death, but only a reveler in a costume of the Red Death – making his initial appearance in the easternmost room, which is colored blue, a color most often associated with birth.

Though Prospero's castle is meant to keep the sickness out, it is ultimately an oppressive structure. Its maze-like design and tall and narrow windows become almost burlesque in the final black room, so oppressive that "there were few of the company bold enough to set foot within its precincts at all." Additionally, the castle is meant to be an enclosed space, but the stranger is still able to sneak inside, suggesting that control is an illusion.

Like many of Poe's tales, "The Masque of the Red Death" has also been interpreted autobiographically. In this point of view, Prince Prospero is Poe as a wealthy young man, part of a distinguished family much like Poe's foster parents, the Allans. Under this interpretation, Poe is seeking refuge from the dangers of the outside world, and his portrayal of himself as the only person willing to confront the stranger is emblematic of Poe's rush towards inescapable dangers in his own life.