Roles
The voice types which appear in this table are those listed in the original libretto. In modern performance practice, Cherubino is usually assigned to a mezzo-soprano (sometimes also Marcellina), Count Almaviva to a baritone, and Figaro to a bass-baritone. Mozart (and his contemporaries) never used the terms "mezzo-soprano" or "baritone". Women's roles were listed as either "soprano" or "contralto", while men's roles were listed as either "tenor" or "bass". Many of Mozart's baritone and bass-baritone roles derive from the basso buffo tradition, where no clear distinction was drawn between bass and baritone, a practice that continued well into the 19th century. Similarly, mezzo-soprano as a distinct voice type was a 19th century development. Modern re-classifications of the voice types for Mozartian roles have been based on analysis of contemporary descriptions of the singers who created those roles and their other repertoire, and on the role's tessitura in the score. Changes in role assignment can also result from modern preferences for contrasts in vocal timbre between two major characters, e.g. Fiordiligi and Dorabella in Così fan tutte. Both roles were written for sopranos, although the slightly more low-lying role of Dorabella is now often sung by a mezzo.
| Role | Voice type | Premiere cast, 1 May 1786 (Conductor: W.A. Mozart) |
|---|---|---|
| Count Almaviva | baritone | Stefano Mandini |
| Countess Rosina Almaviva | soprano | Luisa Laschi |
| Susanna, the countess's maid | soprano | Nancy Storace |
| Figaro, personal valet to the count | bass | Francesco Benucci |
| Cherubino, the Count's page | soprano | Dorotea Bussani |
| Marcellina, Doctor Bartolo's housekeeper | soprano | Maria Mandini |
| Bartolo, doctor from Seville, also a practising lawyer | bass | Francesco Bussani |
| Basilio, music master | tenor | Michael Kelly |
| Don Curzio, judge | tenor | Michael Kelly |
| Barbarina, Antonio's daughter | soprano | Anna Gottlieb |
| Antonio, the Count's gardener, Susanna's uncle | bass | Francesco Bussani |
| Chorus of peasants, villagers, and servants | ||
Read more about this topic: The Marriage Of Figaro
Famous quotes containing the word roles:
“There is a striking dichotomy between the behavior of many women in their lives at work and in their lives as mothers. Many of the same women who are battling stereotypes on the job, who are up against unspoken assumptions about the roles of men and women, seem to accept—and in their acceptance seem to reinforce—these roles at home with both their sons and their daughters.”
—Ellen Lewis (20th century)
“It was always the work that was the gyroscope in my life. I don’t know who could have lived with me. As an architect you’re absolutely devoured. A woman’s cast in a lot of roles and a man isn’t. I couldn’t be an architect and be a wife and mother.”
—Eleanore Kendall Pettersen (b. 1916)
“Productive collaborations between family and school, therefore, will demand that parents and teachers recognize the critical importance of each other’s participation in the life of the child. This mutuality of knowledge, understanding, and empathy comes not only with a recognition of the child as the central purpose for the collaboration but also with a recognition of the need to maintain roles and relationships with children that are comprehensive, dynamic, and differentiated.”
—Sara Lawrence Lightfoot (20th century)