Production and Notable Features
Wilder was originally drawn to this material after having worked with Raymond Chandler on the screenplay for Double Indemnity. Chandler was a recovering alcoholic at the time, and the stress and tumultuous relationship with Wilder during the collaboration caused him to go back to drinking. Wilder made the film, in part, to try to explain Chandler to himself.
The film's musical score was among the first to feature the theremin, which was used to create the pathos of alcoholism. This movie also made famous the "character walking toward the camera as neon signs pass by" camera effect.
Rights to the film are currently held by Universal Studios, which owns the pre-1950 Paramount sound feature film library via EMKA, Ltd.
Read more about this topic: The Lost Weekend (film)
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—Raoul Vaneigem (b. 1934)
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