Reception
The Last Picture Show won Academy Awards for Best Supporting Actor (Ben Johnson) and Best Supporting Actress (Cloris Leachman). It was also nominated in the categories for Best Supporting Actor (Jeff Bridges), Best Supporting Actress (Ellen Burstyn), Best Cinematography (Robert L. Surtees), Best Director (Peter Bogdanovich), Best Picture (Stephen J. Friedman), and Best Adapted Screenplay (Larry McMurtry and Peter Bogdanovich).
In 1998, The Last Picture Show was deemed "culturally, historically, or aesthetically significant" by the United States Library of Congress and selected for preservation in the National Film Registry. It also ranked number 19 on Entertainment Weekly's list of the 50 Best High School Movies. In 2007, the film was ranked #95 on the American Film Institute's 10th Anniversary Edition of the 100 greatest American films of all time.
In April 2011, The Last Picture Show was re-released in UK and Irish cinemas, distributed by Park Circus. Total Film magazine gave the film a five-star review, stating: "Peter Bogdanovich's desolate Texan drama is still as stunning now as it was in 1971."
Stephen King's novel Lisey's Story makes repeated references to The Last Picture Show as the main character Scott Landon frequently watches the film throughout the novel during flashbacks.
Read more about this topic: The Last Picture Show
Famous quotes containing the word reception:
“I gave a speech in Omaha. After the speech I went to a reception elsewhere in town. A sweet old lady came up to me, put her gloved hand in mine, and said, “I hear you spoke here tonight.” “Oh, it was nothing,” I replied modestly. “Yes,” the little old lady nodded, “that’s what I heard.””
—Gerald R. Ford (b. 1913)
“Aesthetic emotion puts man in a state favorable to the reception of erotic emotion.... Art is the accomplice of love. Take love away and there is no longer art.”
—Rémy De Gourmont (1858–1915)
“To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.”
—Lewis H. Lapham (b. 1935)