The Last Picture Show - Director's Cut

Director's Cut

In 1992, Bogdanovich re-edited the film to create a "director's cut". This version restores seven minutes of footage that Bogdanovich trimmed from the 1971 release because Columbia imposed a firm 119-minute time limit on the film. With this requirement removed in the 1990s, Bogdanovich used the 127-minute cut on laserdisc, VHS and DVD releases. The original 1971 cut is not currently available on home video, though it was released on VHS and laserdisc through Columbia Tristar home video.

There are two substantial scenes restored in the director's cut. The first is a sex scene between Jacy and Abilene that plays in the poolhall after it has closed for the night; it precedes the exterior scene where he drops her off home and she says "Whoever would have thought this would happen?" The other major insertion is a scene that plays in Sam's café, where Genevieve watches while an amiable Sonny and a revved-up Duane decide to take their road trip to Mexico; it precedes the exterior scene outside the poolhall when they tell Sam of their plans, the last time they will ever see him.

Several shorter scenes were also restored. One comes between basketball practice in the gym and the exterior at The Rig-Wam drive-in; it has Jacy, Duane and Sonny riding along in her convertible (and being chased by an enthusiastic little dog), singing an uptempo rendition of the more solemn school song sung later at the football game. Another finds Sonny cruising the town streets in the pick-up, gazing longingly into Sam's poolhall, café and theater, from which he has been banished. Finally, there is an exterior scene of the auto caravan on its way to the Senior Picnic; as it passes the fishing tank where he had fished with Sam and Billy, Sonny sheds a tear for his departed friend and his lost youth.

Two scenes got slightly longer treatments: Ruth's and Sonny's return from the doctor, and the boys' returning Billy to Sam after his encounter with Jemmie Sue — both had added dialogue. Also, a number of individual shots were put back in, most notably a handsome Gregg Toland-style deep focus shot in front of the Royal Theatre as everyone gets in their cars.