Background
Peter Gabriel was absent from the album's writing and rehearsal sessions due to personal problems – his first wife was having difficulties with her first pregnancy. For this reason, most of the music was written by Tony Banks, Phil Collins, and Mike Rutherford, with some contribution from Steve Hackett and, at first, virtually none from Gabriel. Gabriel, for his part, insisted on writing the story and all the lyrics himself, which caused friction, in particular because Rutherford had originally suggested another project for the band – an album based on Antoine de Saint Exupéry's The Little Prince. Banks and Rutherford did write the words for "The Light Dies Down on Broadway", as Gabriel could not come up with a linking piece between "Ravine" and "Riding the Scree". In addition, when Gabriel put lyrics to a piece of music written by one of the other band members (such as Banks' "The Lamia" and Hackett's "Here Comes the Supernatural Anaesthetist") the composer would often insist on adjusting the lyrics to better fit the music, an action Gabriel did not take kindly to.
"Fly on a Windshield" originally came about through a band improvisation, sparked by an idea that bassist/guitarist Mike Rutherford had. Keyboardist Tony Banks said, "We used a lot of moods (on the album), at times things were little more than improvisations on an idea. For instance, Mike would say, 'Pharaohs going down the Nile', and he would just play two chords and instantly the rest of us would conjure up that particular mood. That one ended up on the album as 'Fly On A Windshield'."
Gabriel's then-wife Jill noted that he wrote the main melody for "The Carpet Crawlers", of which he is especially proud. Tracks like "Anyway" and "Lilywhite Lilith" were developed from earlier unused 1969 compositions by the band ("Frustration" and "The Light" respectively) which were likely to have been group efforts.
During the album's pre-production, Gabriel was contacted by filmmaker William Friedkin (at the time enjoying success with The Exorcist), about a possible film project after Friedkin read Gabriel's short story on the sleeve of the Genesis Live album. Despite his bandmates' disapproval, Gabriel left them to work on some early script drafts. However, the project came to nothing (Friedkin instead working with Tangerine Dream to score his next film, Sorcerer), and Gabriel returned to the band.
Read more about this topic: The Lamb Lies Down On Broadway
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