Reception
After the announcement of the fall 1962 network television schedule Time magazine characterized The Jetsons as one of several new situation comedies (along with The Beverly Hillbillies, I'm Dickens... He's Fenster, and Our Man Higgins) that was "stretching further than ever for their situations"; after all the season's new shows had premiered—a season "responding to Minow's exhortations"—the magazine called the series "silly and unpretentious, corny and clever, now and then quite funny."
Thirty years later, Time said "In an age of working mothers, single parents and gay matrimony, George Jetson and his clan already seem quaint even to the baby boomers who grew up with them." Conversely, Jeffrey Tucker of the Ludwig von Mises Institute has argued that "The whole scene — which anticipated so much of the technology we have today but, strangely, not email or texting — reflected the ethos of time: a love of progress and a vision of a future that stayed on course ... The Jetsons' world is our world: explosive technological advances, entrenched bourgeois culture, a culture of enterprise that is very fond of the good life."
Read more about this topic: The Jetsons
Famous quotes containing the word reception:
“To aim to convert a man by miracles is a profanation of the soul. A true conversion, a true Christ, is now, as always, to be made by the reception of beautiful sentiments.”
—Ralph Waldo Emerson (1803–1882)
“He’s leaving Germany by special request of the Nazi government. First he sends a dispatch about Danzig and how 10,000 German tourists are pouring into the city every day with butterfly nets in their hands and submachine guns in their knapsacks. They warn him right then. What does he do next? Goes to a reception at von Ribbentropf’s and keeps yelling for gefilte fish!”
—Billy Wilder (b. 1906)
“To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.”
—Lewis H. Lapham (b. 1935)