Production
Historical accounts indicate that Thomas Ince and C. Gardner Sullivan had originally titled their project Dago, but agreed to change the title at the request of the film's star, George Beban. The Italian marked the first motion picture role for Beban, who had gained acclaim as a Broadway actor and vaudevillian specializing in ethnic caricatures.
Though set on New York's Lower East Side, the New York scenes for The Italian were shot in the immigrant quarter of San Francisco. While most accounts indicate that the scenes of Beppo as a gondolier were shot in the Venice district of Los Angeles, an account published by the Los Angeles Times in November 1914 reported that "Ince sent Beban to Italy to get special canal scenes for the eight-reel play."
One of the vivid scenes in The Italian is the fight scene between Beppo and his muggers. The scene lasts five minutes on the screen, and a newspaper story reported that, for realism, "a number of the biggest men at Inceville were used in the scene."
In a story on the production of The Italian, a newspaper reported that a hundred pounds of rice were bought for the film's wedding scene. An initial order of fifty pounds of rice was left uncovered overnight by a "property man" at the Inceville studio. A "heavy rain caused each grain to swell to enormous proportions," requiring the purchase of another fifty pounds of rice.
Read more about this topic: The Italian (1915 film)
Famous quotes containing the word production:
“To expect to increase prices and then to maintain them at a higher level by means of a plan which must of necessity increase production while decreasing consumption is to fly in the face of an economic law as well established as any law of nature.”
—Calvin Coolidge (1872–1933)
“The problem of culture is seldom grasped correctly. The goal of a culture is not the greatest possible happiness of a people, nor is it the unhindered development of all their talents; instead, culture shows itself in the correct proportion of these developments. Its aim points beyond earthly happiness: the production of great works is the aim of culture.”
—Friedrich Nietzsche (1844–1900)
“Constant revolutionizing of production ... distinguish the bourgeois epoch from all earlier ones. All fixed, fast-frozen relations, with their train of ancient and venerable prejudices are swept away, all new-formed ones become antiquated before they can ossify. All that is solid melts into air, all that is holy is profaned, and man is at last compelled to face with sober senses, his real conditions of life, and his relations with his kind.”
—Karl Marx (1818–1883)