The Illustrated Man

The Illustrated Man is a 1951 book of eighteen science fiction short stories by Ray Bradbury that explores the nature of mankind. While none of the stories has a plot or character connection with the next, a recurring theme is the conflict of the cold mechanics of technology and the psychology of people.

The unrelated stories are tied together by the frame device of "the Illustrated Man", a vagrant with a tattooed body whom the unnamed narrator meets. The man's tattoos, allegedly created by a woman from the future, are animated and each tell a different tale. All but one of the stories had been published previously elsewhere, although Bradbury revised some of the texts for the book's publication.

The concept of the Illustrated Man would later be reused by Bradbury as an antagonistic character in Something Wicked This Way Comes, the tattoos coming to represent the souls of sinful victims of a mysterious carnival.

The book was made into a 1969 film starring Rod Steiger and Claire Bloom. It was adapted by Howard B. Kreitsek from the stories "The Veldt", "The Long Rain", and "The Last Night of the World". It was directed by Jack Smight.

A number of the stories, including "The Veldt", "The Fox and the Forest" (as "To the Future"), "Marionettes Inc.", and "Zero Hour" were dramatized for the 1955-57 radio series X Minus One. "The Veldt", "The Concrete Mixer", "The Long Rain", "Zero Hour", and "Marionettes Inc." were adapted for the TV series The Ray Bradbury Theater.

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Famous quotes containing the word illustrated:

    The adjustment of qualities is so perfect between men and women, and each is so necessary to the other, that the idea of inferiority is absurd.
    “Jennie June” Croly 1829–1901, U.S. founder of the woman’s club movement, journalist, author, editor. Demorest’s Illustrated Monthly and Mirror of Fashions, p. 204 (August 1866)