Recurring Sound Effects
- On self-inflicted deaths that are particularly senseless, a sound clip of a Ted Knight laugh (from the "How About A Fresca" scene in the movie "Caddyshack") may be used; Carr signals his producer for it by asking, "Is Ted in the house?"
- "Do you know who I am?"--a clip of Mo Greene in The Godfather--is often played when someone takes advantage of his political connections.
- "Everything free in America"--a clip of part of the song America from West Side Story--may be played when discussing entitlement programs or proposals for illegal aliens.
- After each traffic violation by a presumably illegal driver with a Hispanic name (see above), a sound clip of a car horn playing the first few bars of La Cucaracha is used.
- A sound effect suggesting strong wind accompanies the reports of "Biff Buffington" (see above).
- After police-blotter stories involving a naked man (there are many), a clip of the chorus of Randy Newman's Naked Man is played: "Beware, beware, beware of the naked man."
Read more about this topic: The Howie Carr Show
Famous quotes containing the words recurring, sound and/or effects:
“I am a writer and a feminist, and the two seem to be constantly in conflict.... ever since I became loosely involved with it, it has seemed to me one of the recurring ironies of this movement that there is no way to tell the truth about it without, in some small way, seeming to hurt it.”
—Nora Ephron (b. 1941)
“I was not unemployed in my profession by the late John Jacob Astor; a name which, I admit, I love to repeat, for it hath a rounded and orbicular sound to it, and rings like unto bullion.”
—Herman Melville (1819–1891)
“The hippie is the scion of surplus value. The dropout can only claim sanctity in a society which offers something to be dropped out of—career, ambition, conspicuous consumption. The effects of hippie sanctimony can only be felt in the context of others who plunder his lifestyle for what they find good or profitable, a process known as rip-off by the hippie, who will not see how savagely he has pillaged intricate and demanding civilizations for his own parodic lifestyle.”
—Germaine Greer (b. 1939)