The Hound Of Heaven
The "Hound of Heaven" is a 182-line poem written by English poet Francis Thompson(1859-1907). The poem became famous and was the source of much of Thompson's posthumous reputation. The poem was first published in Thompson's first volume of poems in 1893. It was included in the Oxford Book of English Mystical Verse (1917). It was also an influence on J. R. R. Tolkien, who read it a few years before it was published in 1917.
| “ | One of the most loved and possibly one of the more difficult Christian poems to read and appreciate, "The Hound of Heaven" has been loved for over a century. It is not, however, a poem that most people cannot read without some background. ... o not be dissuaded from reading it.
The following explanation is offered below: The name is strange. It startles one at first. It is so bold, so new, so fearless. It does not attract, rather the reverse. But when one reads the poem this strangeness disappears. The meaning is understood. As the hound follows the hare, never ceasing in its running, ever drawing nearer in the chase, with unhurrying and imperturbed pace, so does God follow the fleeing soul by His Divine grace. And though in sin or in human love, away from God it seeks to hide itself, Divine grace follows after, unwearyingly follows ever after, till the soul feels its pressure forcing it to turn to Him alone in that never ending pursuit. The Neumann Press Book of Verse, 1988 |
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Read more about The Hound Of Heaven: Influence
Famous quotes containing the words hound and/or heaven:
“Do you not hear me calling, white deer with no horns?
I have been changed to a hound with one red ear;
I have been in the Path of Stones and the Wood of Thorns....”
—William Butler Yeats (1865–1939)
“In full view of his television audience, he preached a new religion—or a new form of Christianity—based on faith in financial miracles and in a Heaven here on earth with a water slide and luxury hotels. It was a religion of celebrity and showmanship and fun, which made a mockery of all puritanical standards and all canons of good taste. Its standard was excess, and its doctrines were tolerance and freedom from accountability.”
—New Yorker (April 23, 1990)