The Hollywood Revue of 1929 - Production

Production

Unlike M-G-M's imposing feature films, which always boasted strong story values, The Hollywood Revue of 1929 was a plotless parade of variety acts. Conrad Nagel, interviewed for the book "The Real Tinsel", recalled, "Everybody thought Harry Rapf was crazy for making it." Billed as an "All-Star Musical Extravaganza," the film includes performances by once and future stars, including Joan Crawford singing and dancing on stage. (She later remarked, "Revue was one of those let's-throw-everyone-on-the-lot-into-a musical things, but I did a good song-and-dance number."). Other segments feature Lionel Barrymore, Marion Davies, Gus Edwards, John Gilbert, Buster Keaton, Marie Dressler, Anita Page, Norma Shearer, and the comedy team of Karl Dane and George K. Arthur. Highlights of the film are a comedy routine starring Stan Laurel and Oliver Hardy as inept magicians, and a variety of musical performances. One of these is the debut of "Singin' in the Rain," performed initially by Cliff Edwards as "Ukelele Ike,'" and later performed at the end of the film by the entire cast. This latter all-star color sequence was a last-minute addition to the film, shot late at night on June 10, 1929, just ten days before the premiere at Grauman's Chinese Theatre. The only major M-G-M stars missing from the revue are Greta Garbo, Ramón Novarro, and Lon Chaney, Sr., although Chaney is referred to by name in one of the songs performed. Only one sequence was cut from the film: three songs by The Brox Sisters, which was recycled into a short subject, Gems of MGM. Another sequence, a parody of the Albertina Rasch ballet's "pearl dance" by Marie Dressler, was planned but not shot (as the film's production records reveal). Instead, the number was replaced by one featuring Buster Keaton, though Dressler did pose for stills wearing a Lady Godiva wig.

The film is sometimes cited, as on the DVD release of the 1952 Singin' in the Rain, as the movie that led to the downfall of Gilbert's career. Gilbert, a popular silent film actor best known for his work opposite Garbo, possessed a pleasant tenor speaking voice which didn't always match his heroic, dashing screen image. In Hollywood Revue he plays the balcony scene from Romeo and Juliet with Norma Shearer, first straight, then for laughs with contemporary slang.

The film was popular with audiences, especially in its initial big-city engagements, and received an Academy Award nomination for Best Picture. Producer Rapf tried to follow it up with another revue, The Hollywood Revue of 1930, which was changed during production to The March of Time, and finally abandoned. Musical numbers already shot for the film were edited into M-G-M short subjects of the early 1930s.

Read more about this topic:  The Hollywood Revue Of 1929

Famous quotes containing the word production:

    An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.
    George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)

    It is part of the educator’s responsibility to see equally to two things: First, that the problem grows out of the conditions of the experience being had in the present, and that it is within the range of the capacity of students; and, secondly, that it is such that it arouses in the learner an active quest for information and for production of new ideas. The new facts and new ideas thus obtained become the ground for further experiences in which new problems are presented.
    John Dewey (1859–1952)

    The development of civilization and industry in general has always shown itself so active in the destruction of forests that everything that has been done for their conservation and production is completely insignificant in comparison.
    Karl Marx (1818–1883)