Reception
The Fast and the Furious was met with mixed reviews, with a score of 52% based on 145 reviews on Rotten Tomatoes. Todd McCarthy of Variety called the film "a gritty and gratifying cheap thrill, Rob Cohen's high-octane hot-car meller is a true rarity these days, a really good exploitationer, the sort of thing that would rule at drive-ins if they still existed." Kevin Thomas of the Los Angeles Times called it "an action picture that's surprising in the complexity of its key characters and portents of tragedy." Susan Wloszczyna of USA Today gave the film 21⁄2 out of 4 stars, saying that Cohen "at least knows how to keep matters moving and the action sequences exciting." Owen Gleiberman of Entertainment Weekly gave the film a C, saying it "works hard to be exciting, but the movie scarcely lives up to its title." Rita Kempley of The Washington Post gave the film a scathing review, calling it "Rebel Without a Cause without a cause. The Young and the Restless with gas fumes. The Quick and the Dead with skid marks." Paul Clinton of CNN wrote that Cohen "created a high-octane, rubber-burning extravaganza" but he criticized the film for "plot holes you could drive the proverbial truck through" and an idiotic ending.
Read more about this topic: The Fast And The Furious (2001 film)
Famous quotes containing the word reception:
“I gave a speech in Omaha. After the speech I went to a reception elsewhere in town. A sweet old lady came up to me, put her gloved hand in mine, and said, I hear you spoke here tonight. Oh, it was nothing, I replied modestly. Yes, the little old lady nodded, thats what I heard.”
—Gerald R. Ford (b. 1913)
“But in the reception of metaphysical formula, all depends, as regards their actual and ulterior result, on the pre-existent qualities of that soil of human nature into which they fallthe company they find already present there, on their admission into the house of thought.”
—Walter Pater (18391894)
“To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.”
—Lewis H. Lapham (b. 1935)