Production
The film was produced by Mel Brooks, who had been impressed by Lynch's earlier film Eraserhead at a private screening. Brooks made sure that his name was not used in the marketing and promotion of the film because he did not want fans to expect that the film would be a comedy. It was Lynch's second feature film, and his first studio film.
Hurt's makeup was made from casts of Merrick's body, which had been preserved in the private museum of the Royal London Hospital. Lynch originally attempted to do the make-up himself, but the results were not filmable. The final make-up was devised by Christopher Tucker. It was so convincing that the Academy of Motion Picture Arts and Sciences — which had earlier refused to give a special award to Tucker's work on The Elephant Man and received a barrage of complaints – was prompted to create a new category for Best Make-up for the Oscars.
In addition to writing and directing the film, Lynch provided the musical direction and sound design. During its depiction of the final moments of Merrick's life, the film uses "Adagio for Strings" by Samuel Barber.
Read more about this topic: The Elephant Man (film)
Famous quotes containing the word production:
“Just as modern mass production requires the standardization of commodities, so the social process requires standardization of man, and this standardization is called equality.”
—Erich Fromm (19001980)
“The heart of man ever finds a constant succession of passions, so that the destroying and pulling down of one proves generally to be nothing else but the production and the setting up of another.”
—François, Duc De La Rochefoucauld (16131680)
“The growing of food and the growing of children are both vital to the familys survival.... Who would dare make the judgment that holding your youngest baby on your lap is less important than weeding a few more yards in the maize field? Yet this is the judgment our society makes constantly. Production of autos, canned soup, advertising copy is important. Houseworkcleaning, feeding, and caringis unimportant.”
—Debbie Taylor (20th century)