Production
The shooting of the film is discussed by Art Linson in his 2002 book What Just Happened?, later made into a film starring Robert De Niro. Initially called Bookworm, the script was turned down by Harrison Ford and Dustin Hoffman before Alec Baldwin settled on the role of Green. De Niro showed some interest in the role of Morse but ultimately declined. Baldwin's unwillingness to shave a beard that he had grown for the role is reenacted by Bruce Willis in Barry Levinson's adaptation of Linson's book.
Like many other actors who had worked with Bart the Bear, Baldwin was extremely impressed with how well-trained and docile the bear was. Baldwin commented that Bart "should send the film editor a fruit basket every day for making him look so scary."
Three months before the film was to be released, the studio felt Bookworm needed a more commercial title. Dozens of others were considered, according to Linson, until the film was renamed The Edge.
Read more about this topic: The Edge (1997 film)
Famous quotes containing the word production:
“The problem of culture is seldom grasped correctly. The goal of a culture is not the greatest possible happiness of a people, nor is it the unhindered development of all their talents; instead, culture shows itself in the correct proportion of these developments. Its aim points beyond earthly happiness: the production of great works is the aim of culture.”
—Friedrich Nietzsche (1844–1900)
“... if the production of any commodity necessitates the sacrifice of human life, society should do without that commodity, but it can not do without that life.”
—Emma Goldman (1869–1940)
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)