Reception
| Professional ratings | |
|---|---|
| Review scores | |
| Source | Rating |
| All Music | |
| Music Box | |
| Robert Christgau | B− |
| Rolling Stone | |
| The Rolling Stone Record Guide | |
| Slant Magazine | |
The Doors made a steady climb up the Billboard 200, ultimately becoming a huge success in the US once "Light My Fire" scaled the charts, with the album peaking at number 2 on the chart in September 1967 and going on to achieve multi-platinum status. In Europe, the band would have to wait slightly longer for similar recognition, with "Light My Fire" originally stalling at number 49 in the UK singles chart and the album failing to chart at all. However, in 1991, buoyed by the high profile of Oliver Stone's film The Doors, a re-issue of "Light My Fire" made number 7 in the singles chart and the album made number 43. It eventually spent more time on the UK chart than any other Doors studio album.
The album is number 42 on "Rolling Stone's 500 Greatest Albums of All Time" and is also on "The Rolling Stone Hall of Fame". The album is on Q magazine's "100 Greatest Albums Ever" and ranked number 25 in NME magazine's list of the "Greatest Albums of All Time". Critic/historian Piero Scaruffi named The Doors the fifth greatest rock album of all time.
Read more about this topic: The Doors (album)
Famous quotes containing the word reception:
“But in the reception of metaphysical formula, all depends, as regards their actual and ulterior result, on the pre-existent qualities of that soil of human nature into which they fall—the company they find already present there, on their admission into the house of thought.”
—Walter Pater (1839–1894)
“To aim to convert a man by miracles is a profanation of the soul. A true conversion, a true Christ, is now, as always, to be made by the reception of beautiful sentiments.”
—Ralph Waldo Emerson (1803–1882)
“Satire is a sort of glass, wherein beholders do generally discover everybody’s face but their own; which is the chief reason for that kind of reception it meets in the world, and that so very few are offended with it.”
—Jonathan Swift (1667–1745)