Literary Significance and Criticism
Science-fiction writer and critic James Blish, writing in 1957, shortly after publication, criticized the lack of characterization of its hero Dan Davis, saying, "It is surely an odd novel that is at its best when the author is openly editorializing...." — in this case about the "parity system of farm price supports, which in 2000 is applied to automobiles."
"Every other important subject of science fiction which Heinlein has examined at length has come out remade, vitalized and made the author's own property. It didn't happen here, for the first time in Heinlein's long and distinguished career — and not because Heinlein didn't have something to say, but because he failed to embody it in a real protagonist. Evidently, Heinlein as his own hero is about played out."
The critic Alexei Panshin, writing in 1968, said that "as a whole, the story is thoroughly melodramatic but very good fun. ... It was as though Heinlein the engineer said, 'If I had the parts available, what little gadgets would I most enjoy building?' and then went ahead and built them fictionally. A good story."
The title of the novel was used for a song on The Monkees' fourth album Pisces, Aquarius, Capricorn & Jones Ltd.
Read more about this topic: The Door Into Summer
Famous quotes containing the words literary, significance and/or criticism:
“Learning is, in too many cases, but a foil to common sense; a substitute for true knowledge. Books are less often made use of as “spectacles” to look at nature with, than as blinds to keep out its strong light and shifting scenery from weak eyes and indolent dispositions.... The learned are mere literary drudges.”
—William Hazlitt (1778–1830)
“Of what significance the light of day, if it is not the reflection of an inward dawn?—to what purpose is the veil of night withdrawn, if the morning reveals nothing to the soul? It is merely garish and glaring.”
—Henry David Thoreau (1817–1862)
“The critic lives at second hand. He writes about. The poem, the novel, or the play must be given to him; criticism exists by the grace of other men’s genius. By virtue of style, criticism can itself become literature. But usually this occurs only when the writer is acting as critic of his own work or as outrider to his own poetics, when the criticism of Coleridge is work in progress or that of T.S. Eliot propaganda.”
—George Steiner (b. 1929)