Literary Significance and Criticism
Science-fiction writer and critic James Blish, writing in 1957, shortly after publication, criticized the lack of characterization of its hero Dan Davis, saying, "It is surely an odd novel that is at its best when the author is openly editorializing...." — in this case about the "parity system of farm price supports, which in 2000 is applied to automobiles."
"Every other important subject of science fiction which Heinlein has examined at length has come out remade, vitalized and made the author's own property. It didn't happen here, for the first time in Heinlein's long and distinguished career — and not because Heinlein didn't have something to say, but because he failed to embody it in a real protagonist. Evidently, Heinlein as his own hero is about played out."
The critic Alexei Panshin, writing in 1968, said that "as a whole, the story is thoroughly melodramatic but very good fun. ... It was as though Heinlein the engineer said, 'If I had the parts available, what little gadgets would I most enjoy building?' and then went ahead and built them fictionally. A good story."
The title of the novel was used for a song on The Monkees' fourth album Pisces, Aquarius, Capricorn & Jones Ltd.
Read more about this topic: The Door Into Summer
Famous quotes containing the words literary, significance and/or criticism:
“Whose are the truly labored sentences? From the weak and flimsy periods of the politician and literary man, we are glad to turn even to the description of work, the simple record of the month’s labor in the farmer’s almanac, to restore our tone and spirits.”
—Henry David Thoreau (1817–1862)
“Politics is not an end, but a means. It is not a product, but a process. It is the art of government. Like other values it has its counterfeits. So much emphasis has been placed upon the false that the significance of the true has been obscured and politics has come to convey the meaning of crafty and cunning selfishness, instead of candid and sincere service.”
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“The aim of all commentary on art now should be to make works of art—and, by analogy, our own experience—more, rather than less, real to us. The function of criticism should be to show how it is what it is, even that it is what it is, rather than to show what it means.”
—Susan Sontag (b. 1933)