Studio
The program features Stewart sitting at his desk on the elevated island stage in the style of a traditional news show. The show relocated from its original New York studio in mid-1998 to NEP Studio 54 in New York City's Hell's Kitchen neighborhood, where it remained until 2005, when the studio was claimed by Daily Show spin-off series The Colbert Report. On July 11, 2005, the show premiered in its new studio, NEP Studio 52, at 733 11th Avenue, between 51st and 52nd Streets, a few blocks west of its former location.
The set of the new studio was given a sleeker, more formal look, including a backdrop of three large projection screens. The traditional guests' couch, which had been a part of the set since the show's premiere, was done away with in favor of simple upright chairs. The change was initially not well-received, spawning a backlash among some fans and prompting a "Bring Back the Couch Campaign." The campaign was mentioned on subsequent shows by Stewart and supported by Daily Show contributor Bob Wiltfong. The couch was eventually made the prize in a Daily Show sweepstakes in which the winner received the couch, round trip tickets to New York, tickets to the show and a small sum of money.
On April 9, 2007 the show debuted a new set. The projection screens were revamped (with one large screen behind Stewart, while the smaller one behind the interview subject remained the same), a large, global map directly behind Stewart, a more open studio floor, and a J-shaped desk supported at one end by a globe. The intro was also updated; the graphics, display names, dates, and logos were all changed.
Read more about this topic: The Daily Show
Famous quotes containing the word studio:
“The studio people want me to do “Good-bye Charlie” for the movies, but I’m not going to do it. I don’t like the idea of playing a man in a woman’s body—you know? It just doesn’t seem feminine.”
—Marilyn Monroe (1926–1962)
“The studio has become the crucible where human genius at the apogee of its development brings back to question not only that which is, but creates anew a fantastic and conventional nature which our weak minds, impotent to harmonize it with existing things, adopt by preference, because the miserable work is our own.”
—Eugène Delacroix (1798–1863)
“Again and again, I struggled though the storm. Once I fainted—and it wasn’t in the script. I was hauled to the studio on a sled, thawed out with hot tea, and then brought back to the blizzard, where the others were waiting. We filmed all day and all night, stopping only to eat standing near a bonfire. We never went inside.... The blizzard never slackened.”
—Lillian Gish (1896–1993)