The Commission
The painting was commissioned for the gallery of the new city hall on the Dam, finished in 1655 (now the Royal Palace). History paintings were regarded as the highest in the hierarchy of genres in the 17th century (a view Rembrandt shared), and the Batavian revolt was regarded, and romanticised, as a precursor of the recently ended war against the Spanish. In 1659, when John Maurice of Nassau, Amalia of Solms-Braunfels, her two daughters and two daughters-in-law came to see the new building, the council commissioned twelve paintings from Rembrandt's ex-pupil Govert Flinck to fill all the large spaces using a programme drawn up by the poet Joost van den Vondel, but Flink died in 1660 before completing any of the works. The work was then shared out by the burgomasters Joan Huydecoper and Andries de Graeff, who were certainly decisive, between a number of painters including Jacob Jordaens and Jan Lievens. The council provided the canvas to the artist. Rembrandt was commissioned to do the scene from Tacitus, one of eight intended to cover the revolt in the original scheme.
Read more about this topic: The Conspiracy Of Claudius Civilis
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