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The question of whether The Canterbury Tales is finished has not yet been answered. There are 83 known manuscripts of the work from the late medieval and early Renaissance period, more than any other vernacular literary text with the exception of The Prick of Conscience. This is taken as evidence of the tales' popularity during the century after Chaucer's death. Fifty-five of these manuscripts are thought to have been complete at one time, while 28 are so fragmentary that it is difficult to ascertain whether they were copied individually or as part of a set. The Tales vary in both minor and major ways from manuscript to manuscript; many of the minor variations are due to copyists' errors, while others suggest that Chaucer added to and revised his work as it was being copied and (possibly) distributed. No official, unarguably complete version of the Tales exists and no consensus has been reached regarding the order in which Chaucer intended the stories to be placed.
Textual and manuscript clues have been adduced to support the two most popular methods of ordering the tales. Some scholarly editions divide the Tales into ten "fragments." The tales that comprise a fragment are closely related and contain internal indications of their order of presentation, usually with one character speaking to and then stepping aside for another character. However, between fragments, the connection is less obvious. Consequently, there are several possible orders, the one most frequently seen in modern editions is as follows:
| Fragment | Tales |
|---|---|
| Fragment I(A) | General Prologue, Knight, Miller, Reeve, Cook |
| Fragment II(B1) | Man of Law |
| Fragment III(D) | Wife of Bath, Friar, Summoner |
| Fragment IV(E) | Clerk, Merchant |
| Fragment V(F) | Squire, Franklin |
| Fragment VI(C) | Physician, Pardoner |
| Fragment VII(B2) | Shipman, Prioress, Sir Thopas, Melibee, Monk, Nun's Priest |
| Fragment VIII(G) | Second Nun, Canon's Yeoman |
| Fragment IX(H) | Manciple |
| Fragment X(I) | Parson |
An alternative ordering (seen in an early manuscript containing the Canterbury Tales, the early-fifteenth century Harley MS. 7334) places Fragment VIII before VI. However, the order indicated above follows that of some other early manuscripts, most notably the Ellesmere Manuscript. Fragments I and II almost always follow each other, as do VI and VII, IX and X in the oldest manuscripts. Fragments IV and V, by contrast are located in varying locations from manuscript to manuscript. Victorians would frequently move Fragment VII(B2) to follow Fragment II(B1), which was the order used by Walter William Skeat whose edition Chaucer: Complete Works was used by Oxford University Press for most of the twentieth century, but this order is no longer followed and has no justification. Even the earliest surviving manuscripts are not Chaucer's originals, the oldest being MS Peniarth 392 D (called "Hengwrt"), compiled by a scribe shortly after Chaucer's death. The scribe uses the order shown above, though he does not seem to have had a full collection of Chaucer's tales, so parts are missing. The most beautiful of the manuscripts of the tales is the Ellesmere Manuscript, and many editors have followed the order of the Ellesmere over the centuries, even down to the present day. The first version of the Canterbury Tales to be published in print was William Caxton's 1478 edition. Since this print edition was created from a now-lost manuscript, it is counted as among the 83 manuscripts.
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