Plot
Bishop Henry Brougham (Niven) prays for divine guidance with the troubled building of a new cathedral. His plea is seemingly answered by a suave angel named Dudley (Grant), who reveals his identity initially only to the clergyman.
However, Dudley's mission is not to help with the construction of the cathedral. He is there to guide Henry and the people around him. Henry has become obsessed with the building to the detriment of his duties and marriage to his neglected, unhappy wife, Julia (Young). Everyone, except for Henry, is charmed by the newcomer, even the non-religious Professor Wutheridge (Monty Woolley). Dudley persuades the wealthy parishioners, particularly Mrs. Hamilton (Gladys Cooper), to contribute the needed funds, but not to build the cathedral. He helps Mrs. Hamilton decide to give her money to feed and clothe the needy—much to Henry's chagrin. He also redecorates the Broghams' Christmas tree in two seconds, saves an old church by restoring interest in the boys' choir, and arranges for the typewriter to automatically type Henry's new sermon - which Dudley dictates without Henry's knowledge.
When Dudley spends time cheering up Julia, there is an unexpected development: Dudley finds himself strongly attracted to her. Sensing this, Henry becomes jealous and anxious for his unwelcome guest to finish and depart. Eventually, he stands up to the angel. With his mission completed and knowing that Julia loves her husband, Dudley leaves, promising never to return. All memory of him is erased, and on Christmas Eve at midnight, Henry delivers the sermon that he believes he has written.
Read more about this topic: The Bishop's Wife
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“Ends in themselves, my letters plot no change;
They carry nothing dutiable; they won’t
Aspire, astound, establish or estrange.”
—Philip Larkin (1922–1986)
“James’s great gift, of course, was his ability to tell a plot in shimmering detail with such delicacy of treatment and such fine aloofness—that is, reluctance to engage in any direct grappling with what, in the play or story, had actually “taken place”Mthat his listeners often did not, in the end, know what had, to put it in another way, “gone on.””
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““The plot thickens,” he said, as I entered.”
—Sir Arthur Conan Doyle (1859–1930)