Cast
- Lana Turner as Georgia Lorrison
- Kirk Douglas as Jonathan Shields
- Walter Pidgeon as Harry Pebbel
- Dick Powell as James Lee Bartlow
- Barry Sullivan as Fred Amiel
- Gloria Grahame as Rosemary Bartlow
- Gilbert Roland as Victor "Gaucho" Ribera
- Leo G. Carroll as Henry Whitfield, a British director
- Vanessa Brown as Kay Amiel, Fred's wife
- Paul Stewart as Syd Murphy, Shield's press agent
- Sammy White as Gus, Lorrison's over-emotional agent
- Elaine Stewart as Lila
- Ivan Triesault as Von Ellstein
There has been much debate as to which real-life Hollywood legends are represented by the film's characters. Jonathan Shields is thought to be a blending of David O. Selznick, Orson Welles and Val Lewton. Lewton's Cat People is clearly the inspiration behind an early Shields-Amiel film. The Georgia Lorrison character is the daughter of a "Great Profile" actor like John Barrymore (Diana Barrymore's career was in fact launched the same year as her father's death), but it can also be argued that Lorrison includes elements of Minnelli's ex-wife Judy Garland. Gilbert Roland's Gaucho may almost be seen as self-parody, as he had recently starred in a series of Cisco Kid pictures, though the character's name, Ribera, would seem to give a nod also to famed Hollywood seducer Porfirio Rubirosa. The director Henry Whitfield (Leo G. Carroll) is a "difficult" director modeled on Alfred Hitchcock, and his assistant Miss March (Kathleen Freeman) is modeled on Hitchcock's wife Alma Reville. The James Lee Bartlow character may have been inspired by Paul Eliot Green, the University of North Carolina academic-turned-screenwriter of The Cabin in the Cotton.
Read more about this topic: The Bad And The Beautiful
Famous quotes containing the word cast:
“Why art thou cast down, O my soul? and why art thou disquieted
within me? hope thou in God: for I shall yet praise him, who is the
health of my countenance, and my God.”
—Bible: Hebrew Psalm XLII (l. XLII, 11)
“Nothing is so foolish, they say, as for a man to stand for office and woo the crowd to win its vote, buy its support with presents, court the applause of all those fools and feel self-satisfied when they cry their approval, and then in his hour of triumph to be carried round like an effigy for the public to stare at, and end up cast in bronze to stand in the market place.”
—Desiderius Erasmus (c. 1466–1536)
“The Puritan through Life’s sweet garden goes
To pluck the thorn and cast away the rose.”
—Kenneth Hare (1888–1962)