Religious Significance
Plays such as The Bacchae existed primarily for the purpose of religious practice and worship. Religion was connected closely with everyday life, and cities and local communities would come together to celebrate the worship of different deities. Through plays, gods such as Dionysus could be celebrated. The Bacchae re-enacts how Dionysus had come to be a god and in ancient Greek theatre, "role-playing is a well-known feature of ritual liminality." The Bacchae is a tribute to Dionysus and it is written in a way that favours him. It is a common understanding that worship is the play's main function. Deities were found in every locality of everyday life. The play also highlights what Dionysus represents; he is the god of wine, ritual madness and ecstasy. With this in mind, the play incorporates these aspects to depict how Dionysus is present in ancient Greek life. As an actor, religious worship is a direct experience. The actor would have experienced a "stepping out" of himself to become a representation of Dionysus. As a spectator, the experience comes from what is acted onstage, arousing emotions that sympathize with Dionysus. Collectively, through Dionysiac acting, there is a reintegration of the "other" into the "self," that is to say that Dionysus has been accepted and will be worshipped by the Greek people.
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